Teenage Engineering CM-15-BK
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The essentials to know about the CM-15 Black studio microphone
The essentials to know about the CM-15 Black studio microphone
- Three connections that can be used simultaneously: mini XLR, USB-C and a 3.5 mm jack line output for connecting multiple devices to the same recording setup.
- A one-inch Peluso condenser capsule combined with a supercardioid polar pattern, housed in a body weighing just 132 g.
- An integrated USB-C audio interface with ESS Sabre conversion up to 96 kHz for recording directly to a computer.
- Up to 10 hours of battery life from the rechargeable battery, allowing you to use the line output without an external power supply.
Manufacturer Information
Teenage Engineering
https://www.teenage.engineering
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The Studio Format Adapted to a Mobile Recording Chain
The CM-15 Black combines, in a compact format, elements usually spread across several devices: a large-diaphragm capsule, a preamp and a USB audio interface. This design makes it equally at home in a home studio or a mobile recording setup.
Its main advantage lies in this continuity between different uses. You can keep the same microphone for a session connected to your audio interface, a direct USB-C recording or a battery-powered recording. The Black version applies this approach with black finishing, while keeping its footprint small for transport and setup.
For Musicians, Vocals and Creators on the Move
This portable studio microphone is aimed at musicians, podcasters, videographers and content creators who alternate between several working environments. It can be used to record sung vocals, acoustic guitar, voice-over or spoken-word content, with the connection suited to the available equipment.
Its supercardioid polar pattern favors on-axis capture and attenuates sounds arriving from the sides. Careful placement therefore remains important: point the capsule toward the source and take the time to adjust the distance. This approach helps achieve a focused recording, especially when the environment does not benefit from dedicated acoustic treatment.
For video or mobile recording, the line output can be connected to a camera or recorder equipped with a compatible input. In the studio, the included mini XLR-to-XLR cable makes it easy to integrate the microphone into a recording chain equipped with 48 V phantom power.
Three Outputs to Build Your Workflow
One Recording, Multiple Destinations
The CM-15 Black offers three modes: XLR microphone with phantom power, USB-C microphone and standalone battery-powered microphone with a 3.5 mm jack line output. These three modes can operate simultaneously. This allows you to send the signal to multiple destinations without having to change microphones between setups.
This flexibility is useful for combining computer recording with sending the signal to a camera, or for integrating a parallel recording into your setup. Naturally, each connected device must have an input suited to the signal received, particularly in the case of the line-level output.
An Integrated Audio Chain, from Capsule to Conversion
The 1-inch Peluso condenser capsule is paired with a JFET OPA 140 amplifier and an ESS Sabre ES9822Q PRO converter. Conversion reaches 96 kHz over USB-C. The stated self-noise of 14 dBA provides a useful reference for vocal and instrument recordings, while the maximum sound pressure level reaches 138 dB at 0.5% harmonic distortion.
A selector provides three gain settings: -18 dB, 0 dB and +18 dB. It allows you to quickly adapt the level to the recorded source. For a more powerful source, the attenuated setting helps preserve available headroom; for a quieter source, the positive gain setting raises the level.
Battery Life Designed for Out-of-Studio Sessions
The rechargeable battery provides up to 10 hours of use. The microphone can also be powered via USB-C or 48 V phantom power, depending on the selected mode. The included stand adapter, tiltable from 90 to 110 degrees, makes positioning easier, while the pouch and supplied cables support the transition from one setup to another.
Technical specifications
| Phantom power supply | 48V | Connection | XLR, minijack, USB-C |
| Category | studio microphone | Use | Microphone |
| Type | studio | Color | Black |
| Directivity | cardioid | Weight | 132 g |
| Capsule | Large Diaphragm | Dimensions (mm) | 90 x 65.5 x 19 |
| Diaphragm diameter | 1 " | ||
| Model | CM-15 Black | Simultaneous modes | XLR, USB-C and line output |
| Finishing | black | XLR impedance | 600 ohms |
| Polar pattern | supercardioid | Line output impedance | 300 ohms |
| Amplifier | JFET OPA 140 | Power sources | integrated rechargeable battery, USB-C or 48 V phantom power |
| Analog-to-digital converter | ESS Sabre ES9822Q PRO | Battery life | up to 10 hours |
| Maximum sampling rate | 96 kHz | Specified dimensions | 90 x 65.5 x 19 mm |
| Self-noise | 14 dBA | Other specified dimensions, height x width x depth | 90 x 65 x 22 mm |
| Maximum sound pressure level | 138 dB at 0.5% total harmonic distortion | Carrying case | included |
| Gain settings | -18 dB, 0 dB and +18 dB | USB-C cable | included |
| XLR connection | mini XLR, with 48 V phantom power required for XLR use | Mini XLR to XLR cable | included |
| USB connection | USB-C with integrated audio interface | Stand adapter | included, with 1/4-inch and 3/8-inch threads |
| Analog output | 3.5 mm line-level jack | Adapter tilt | from 90 to 110 degrees |
| Preamp | integrated for standalone battery operation | ||



