Lr Baggs LYRIC WITH PREAMP AND VOLUME - Refurbished
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- This item is covered for 3 years
What you need to know
What you need to know
Defect: Damaged packaging
- "Studio mic" sound inside the guitar : natural and rich capture of an acoustic guitar's tone, with a very organic output.
- Very resistant to feedback : designed to reject unwanted internal reflections and remain usable on stage.
- Installation without modification : adhesive mounting, designed to preserve the instrument.
- Immediate control : control box at the edge of the soundhole with volume and presence adjustments.
Manufacturer Information
Lr Baggs
https://www.lrbaggs.com
sales@lrbaggs.com
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Safety manager:
HIGH TECH DISTRIBUTION
Email: pro@htd.fr
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A Step Further Towards 100% Microphone Acoustic Amplification
For LR Baggs, the microphone remains the most obvious technology to capture the sound of an acoustic guitar realistically. After the Anthem (a combination of microphone + piezo pickup under the saddle), the brand takes the idea even further with the Lyric : a system based on an internal microphone capable of standing on its own, as if a microphone were placed in front of your guitar.
For Which Guitarists and Contexts?
The LR Baggs Lyric is aimed at guitarists who want a faithful acoustic sound without shifting towards a too "piezo" tone. Ideal for live performance, fingerstyle playing, flatpicking accompaniment, and any situation where a warm and detailed amplification is sought, with good feedback control.
Ultra-Light Microphone and Analog Preamp: Natural, Attack and Bass Preserved
The Lyric is based on an ultra-light microphone which, when properly positioned, uses a pressure zone principle to reproduce the full spectrum of the instrument while rejecting unwanted internal resonances. The result: the microphone "acts from the inside" as if it were outside, facing the guitar.
On the preamplification side, LR Baggs integrates an analog dynamic processing developed by engineer Tommy Linn. The preamp corrects the primary signal captured by the microphone to preserve bass and attack, while preventing energetic playing from making the sound harsh. The control box, located at the edge of the soundhole, provides access to volume and presence adjustments to quickly adapt your sound to the stage and mix.
- Adhesive mounting requires no modification to the instrument.
Technical specifications
| EQ | No | Instrument | classical guitar, folk guitar |
| Category | Preamp + microphone | Color | Brown |
| Type | active microphone, rosette | ||
| Mounting | adhesive | Control box location | at the edge of the soundhole |
| Operating principle | pressure zones | Controls | volume and presence |
| Preamp | analog dynamic processing (developed by engineer Tommy Linn) | Included | Lyric microphone |



