{"title":"Other studio outboard","description":null,"products":[{"product_id":"art-pro-audio-cx-311-251595","title":"CX 311","description":"\u003ch3\u003eAn Active Crossover Designed for Modern Bi-Amplification\u003c\/h3\u003e\u003cp\u003eIn a sound reinforcement setup, an active crossover like the CX 311 sits at the heart of the system to properly distribute the spectrum between amplifiers and speakers. The benefits are twofold: on one hand, you better utilize available power by avoiding amplifying unnecessary frequencies for each driver\u0026#59; on the other hand, you gain clarity and control, especially when the system combines bass reinforcement with satellites dedicated to mid\/high frequencies.\u003c\/p\u003e\u003cp\u003eThe CX 311 fits precisely into this logic: it allows organizing a system into \u003cstrong\u003e2 stereo channels\u003c\/strong\u003e (separated lows and highs) while adding a \u003cstrong\u003emono Sub channel\u003c\/strong\u003e to concentrate low-frequency energy where it is most effective.\u003c\/p\u003e\u003ch3\u003eWho Is the CX 311 For and When to Use It?\u003c\/h3\u003e\u003cp\u003eThe CX 311 is particularly suited for users seeking reliable and clear control without complicating the rack: mobile sound providers and DJs, bands, small stages, equipped rehearsal rooms, or fixed installations requiring clean bass management. It perfectly suits systems composed of a \u003cstrong\u003ebass reinforcement\u003c\/strong\u003e combined with \u003cstrong\u003ebi-amplified mid\/high satellites\u003c\/strong\u003e, where frequency band separation becomes crucial for mix precision.\u003c\/p\u003e\u003cp\u003eIt is also appropriate when you want to harmonize speakers and a subwoofer that do not naturally \"blend\": by adjusting the crossover frequency and output levels, you can achieve a tighter low end, a smoother transition between sub and satellites, and better overall coherence.\u003c\/p\u003e\u003ch3\u003eControls, Filters, and Settings: Practical Spectrum Management\u003c\/h3\u003e\u003ch4\u003eMain Channels: Clear Separation and Musical Integration\u003c\/h4\u003e\u003cp\u003eOn the main channels, the CX 311 offers a \u003cstrong\u003efrequency selector from 250 Hz to 6 kHz\u003c\/strong\u003e with \u003cstrong\u003e24 dB\/Oct\u003c\/strong\u003e \u003cstrong\u003eLinkwitz-Riley\u003c\/strong\u003e filters. This steep slope promotes a sharp separation between \"low\" and \"high\" bands, useful to limit overlap zones and improve clarity, especially at higher volumes.\u003c\/p\u003e\u003cp\u003eThe \u003cstrong\u003eoutput levels\u003c\/strong\u003e allow quick balancing of the two bands, for example if your tops are very efficient in the upper spectrum or, conversely, if you want to add body to the low-midrange without forcing equalization. The \u003cstrong\u003eindependent controls (highs\/lows)\u003c\/strong\u003e facilitate tuning according to the room, speakers, and musical program dynamics.\u003c\/p\u003e\u003ch4\u003eMono Sub Section: Cleaner, More Controlled Bass\u003c\/h4\u003e\u003cp\u003eThe sub section includes a dedicated \u003cstrong\u003eoutput level\u003c\/strong\u003e, a \u003cstrong\u003e30 Hz high-pass filter\u003c\/strong\u003e, and a frequency adjustment from \u003cstrong\u003e50 to 250 Hz\u003c\/strong\u003e with a \u003cstrong\u003e12 dB\/Oct Butterworth\u003c\/strong\u003e filter. This setting allows choosing the point where the subwoofer takes over: lower for discreet and clean bass, higher to further relieve the satellites and gain headroom.\u003c\/p\u003e\u003cp\u003eThe \u003cstrong\u003emono Sub\u003c\/strong\u003e is a relevant choice in sound reinforcement because low frequencies are non-directional: concentrating energy in a single channel simplifies tuning and can improve the sense of impact, while maintaining a stable stereo image across the rest of the spectrum.\u003c\/p\u003e\u003ch4\u003e30 Hz High-Pass and Phase Inverter: Anti-\"Rumble\" and Polarity Alignment\u003c\/h4\u003e\u003cp\u003eThe \u003cstrong\u003eswitchable 30 Hz high-pass filter\u003c\/strong\u003e on all channels helps effectively eliminate \"Rumble\" type disturbances: stage vibrations, mechanical noises, non-musical infrasonic content. 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In studio or audiovisual settings, it facilitates workflows where a signal must be simultaneously accessed by different systems (for example, a console, a recorder, and a broadcast control room), while maintaining a clear and reproducible patching logic.\u003c\/p\u003e","brand":"ART Pro Audio","offers":[{"title":"Default Title","offer_id":54334609031443,"sku":"421933","price":419.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/72edd6f9eec2af0a8b1fdd80ffc6a3fd3557b4c8_lg_s8_3way_angle02.jpg?v=1794585688"},{"product_id":"heritage-audio-synth-buddy-428915","title":"Synth Buddy","description":"\u003ch3\u003eA Heritage Audio \"utility\" designed to speed up studio workflow\u003c\/h3\u003e\u003cp\u003eThe SYNTH BUDDY fits the spirit of studio tools that prioritize efficiency and spontaneity: making your machines immediately accessible without endless patching or complicated setup. Heritage Audio focuses here on a direct and reliable approach, with a dedicated box for routing line-level sources, keeping your setup ready to play and record at any time.\u003c\/p\u003e\u003cp\u003eIn an environment where keyboards, modules, and drum machines accumulate, the need is simple: reduce handling to preserve inspiration. The SYNTH BUDDY fulfills this central \"switching\" role, allowing you to move from one instrument to another in one gesture, whether composing, sound designing, or quickly chaining takes.\u003c\/p\u003e\u003ch3\u003eWho the SYNTH BUDDY is for: studio, home studio, live, and hybrid setups\u003c\/h3\u003e\u003cp\u003eThis switcher is primarily aimed at keyboardists, producers, and sound designers who use multiple stereo sources and want to centralize them neatly. It becomes a single access point to select the right machine \"on the fly\": a synth for bass, another for pads, a module for textures, then a drum machine to validate the arrangement, all without unplugging or moving anything.\u003c\/p\u003e\u003cp\u003eIn live or rehearsal contexts, the SYNTH BUDDY also simplifies setups where multiple line-level instruments alternate into a single stereo input (console, interface, processing chain). And thanks to its reversible operation, it can just as well serve to send one source to different destinations, handy for quickly comparing multiple effects chains, several outboard inputs, or multiple monitoring destinations.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:4;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eUSB stereo recording \/ playback\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eNo\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eLine outputs\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eStereo - 6.35mm jacks - Dry signal\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:2;--wb-r:5;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eMotorised faders\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eNo\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eHeadphone output\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eNo\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:3;--wb-r:6;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eRackable\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eNo\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eColor\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eBlue\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Heritage Audio","offers":[{"title":"Default Title","offer_id":54334682202387,"sku":"428915","price":199.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/50b2ea228d0fffcd308369e7720a8a02b096d5bd_RHA_SYNTHBUDDY.jpg?v=1794586938"},{"product_id":"art-pro-audio-s8-421932","title":"S8","description":"\u003ch3\u003eA Rack Classic for Signal Distribution in Sound Reinforcement\u003c\/h3\u003e\u003cp\u003eThe ART S8 fits within the logic of essential pro audio and sound reinforcement tools: robust devices in rack format designed to solve practical issues on site. 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In fixed installations, it can feed multiple audio chains (broadcast, capture, streaming) from a single input point.\u003c\/p\u003e\u003cp\u003eThanks to its XLR connectivity and purely analog approach, it naturally fits into a patch rack, a stage fly-case, or a technical room. Its value is especially clear when multiple devices are powered in parallel: this is where risks of \u003cstrong\u003eground noise\u003c\/strong\u003e, \u003cstrong\u003ehum\u003c\/strong\u003e, or \u003cstrong\u003epoorly controlled levels\u003c\/strong\u003e arise, and where the pad and Ground\/Lift functions become real problem-solving tools.\u003c\/p\u003e","brand":"ART Pro Audio","offers":[{"title":"Default Title","offer_id":54334682661139,"sku":"421932","price":379.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/baee7a0cd2604eda8f60f6ed6707d72c6ad38bf0_62507_1.jpg?v=1794585651"},{"product_id":"mackie-mtest-1-302541","title":"MTEST-1","description":"\u003ch3\u003eAn essential tool for keeping your cable inventory reliable\u003c\/h3\u003e\u003cp\u003eIn an audio environment, a cable failure can be enough to interrupt a session, disrupt a patch or compromise an installation. This cable tester is designed to get straight to the point: quickly check the status of a connection and identify a fault before it becomes a serious problem.\u003c\/p\u003e\u003ch3\u003eFor the studio, stage and everyday maintenance\u003c\/h3\u003e\u003cp\u003eThis model is equally suited to technicians, musicians, home studio users and live sound companies. It is ideal for checking audio signal cables, MIDI connections and speaker connectors, whether preparing a set, working at the mixing desk or carrying out a quick repair.\u003c\/p\u003e\u003ch3\u003eClear testing of the most common connectors\u003c\/h3\u003e\u003cp\u003eThanks to its extensive compatibility, this tester supports the most widely used formats: 6.35 mm mono and stereo jack, 3.5 mm mono and stereo jack, XLR, RCA\/Phono, Speakon and MIDI. 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By placing frequency band separation at the core of your signal chain, it enhances the overall system coherence and allows you to make the most of your amplifiers and speakers. Its low-noise circuits, combined with a field-oriented processing architecture, make it a reliable choice to secure sound reinforcement, from rehearsals to live shows, as well as fixed installations.\u003c\/p\u003e\u003ch3\u003eWho Is It For and What Are Its Uses?\u003c\/h3\u003e\u003cp\u003eThis active crossover is intended for users working with multi-amplified systems: bi-amped speakers, 2-way setups with subwoofers, or more advanced configurations requiring precise routing. It is ideal if you seek tighter bass, clearer vocals, and improved intelligibility at high volume levels. The Mute and phase inversion switches also facilitate quick system diagnostics, a real advantage during performances and mixing.\u003c\/p\u003e\u003ch3\u003eKey Features for Quick Setup and Effective Protection\u003c\/h3\u003e\u003ch4\u003eLinkwitz-Riley Filtering and Subwoofer Band Control\u003c\/h4\u003e\u003cp\u003eThe CX3400 features Linkwitz-Riley filters with a 24 dB per octave slope, appreciated for cleaner summation at the crossover point. The subwoofer frequency range is adjustable separately, helping you precisely tailor the sub\/top crossover according to your speakers and room.\u003c\/p\u003e\u003ch4\u003eSetup Tools: Delay, Phase, Mute\u003c\/h4\u003e\u003cp\u003eThe adjustable delay allows aligning transducers to regain sharper attack and better-centered bass. Phase inverters and band-specific Mute switches speed up testing and troubleshooting without disconnecting the setup. Status LEDs provide immediate feedback, even in a rack.\u003c\/p\u003e\u003ch4\u003eSpeaker Protection and HF Optimization\u003c\/h4\u003e\u003cp\u003eLimiters on all outputs help safeguard critical components, while the switchable 25 Hz low-pass filter limits unwanted infrasonics. The high-frequency (HF) horn equalization compensates for constant directivity, delivering a more controlled top end depending on the speakers used. Finally, the mono \"Low Sum\" output (in stereo modes) simplifies subwoofer applications by combining bass signals into a dedicated output.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eNumber of channels\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e6\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eU-height\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e1\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eDimensions (H x W x D)\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e44 x 483 x 147 mm\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eWeight\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e1.6 kg\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Behringer","offers":[{"title":"Default Title","offer_id":54357249917203,"sku":"353868","price":101.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/7d4fa422edf425ba169222984a4ef2c1e5776262_BEHRINGER_SUPERX_PRO_SERIES_CX3400_V2.jpg?v=1794623529"},{"product_id":"behringer-ultradrive-pro-dcx2496-le-181775","title":"Ultradrive Pro DCX2496 Le","description":"\u003ch3\u003eA benchmark in sound reinforcement management within the ULTRADRIVE PRO range\u003c\/h3\u003e \n\u003cp\u003eThe Behringer \u003cstrong\u003eULTRADRIVE PRO DCX2496\u003c\/strong\u003e fits within the logic of speaker management processors: placing a digital brain between the sources and amplification to adjust, organize, and secure the sound output. Designed as \u003cstrong\u003ea tuning tool\u003c\/strong\u003e rather than a simple accessory, it aims to make a system more intelligible, controllable, and efficient, relying on high audio quality and a set of field-oriented functions.\u003c\/p\u003e \n\u003cp\u003eIn a modern sound reinforcement chain, this type of processor is often the link between intention (the mix) and reality (the speakers, the venue, the level, the coverage). The DCX2496 is positioned precisely at this strategic point: where every adjustment can transform a \"correct\" sound output into an \u003cstrong\u003eoptimized, balanced, and usable\u003c\/strong\u003e diffusion at working volume.\u003c\/p\u003e \n\n\u003ch3\u003eFor whom and for what uses? A processor tailored for tuning and operation\u003c\/h3\u003e \n\u003cp\u003eThe DCX2496 is primarily aimed at \u003cstrong\u003eservice providers\u003c\/strong\u003e, \u003cstrong\u003esound engineers\u003c\/strong\u003e, and \u003cstrong\u003estage managers\u003c\/strong\u003e who need to switch quickly between configurations while maintaining a high level of precision. It is also suitable for fixed installations (nightclubs, halls, auditoriums, cinema control rooms) where stable, reproducible, and easily adjustable settings are required depending on the event.\u003c\/p\u003e \n\u003cp\u003eIts value becomes especially clear when you operate multiple speakers or zones and want to \u003cstrong\u003econtrol the spectral distribution\u003c\/strong\u003e: sending each speaker an adapted signal without overloading it and without leaving unnecessary frequencies to blur the reproduction. The result: cleaner, more intelligible sound, often more effective at equivalent sound levels.\u003c\/p\u003e","brand":"Behringer","offers":[{"title":"Default Title","offer_id":54357314928915,"sku":"181775","price":223.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/aafbeaf0c65801b40e9c3035354876e08e178c67_BEHRINGER_DCX2496LE.jpg?v=1794623537"},{"product_id":"spl-gemini-361534","title":"Gemini","description":"\u003ch3\u003eGemini and Mid\/Side Processing: A Modern Approach to a Mastering Classic\u003c\/h3\u003e\u003cp\u003eMid\/Side processing has become standard in mastering because it addresses a very concrete need: to intervene on a stereo mix without unbalancing it. Rather than working solely in left\/right, M\/S reformulates the information into two components: \u003cstrong\u003ethe Mid\u003c\/strong\u003e (everything common to both channels, often the \"heart\" of the mix) and \u003cstrong\u003ethe Side\u003c\/strong\u003e (everything that differentiates the channels, thus a large part of the perception of width and depth). Gemini fits into this logic with a strong particularity: it claims to be \u003cstrong\u003ethe first Mid\/Side processor with 120V technology\u003c\/strong\u003e, a clear focus on headroom control and processing cleanliness when every half-dB counts.\u003c\/p\u003e\u003cp\u003eIn a mastering chain, this positioning is relevant: one expects an M\/S processor to remain \u003cstrong\u003etransparent\u003c\/strong\u003e when desired, and to allow precise movements without creating side effects (image instability, loss of center focus, artificial width). The promise of 120V technology goes towards a calmer behavior on transients and dense passages, where stereo processing is most quickly challenged.\u003c\/p\u003e\u003ch3\u003eWho Gemini Is For and When to Use It in the Studio\u003c\/h3\u003e\u003cp\u003eGemini primarily targets mastering engineers, but its working logic is also very useful in advanced mixing, musical post-production, and any setup where one must \"repair\" or improve an already printed stereo. If you receive mixes with an overloaded center or, conversely, overwhelming sides, M\/S becomes an extremely efficient shortcut to regain control without starting from a multitrack session.\u003c\/p\u003e\u003cp\u003ePractically, Gemini is indicated when you want to \u003cstrong\u003eenhance clarity\u003c\/strong\u003e (focus on vocals or snare in the Mid), \u003cstrong\u003eclean up energy\u003c\/strong\u003e in the extremes (avoid an overly wide low end that weakens mono compatibility), or \u003cstrong\u003eopen the image\u003c\/strong\u003e in a controlled way (bring air and a sense of space to the sides without making the mix blurry). It is also an excellent tool to standardize album coherence: M\/S allows repeatable and quick corrections from track to track while respecting each mix's intention.\u003c\/p\u003e\u003ch3\u003eWhy Mid\/Side Is Often \"the Best Way\" to Access Elements in a Mix\u003c\/h3\u003e\u003ch4\u003eWorking the Center Without Affecting Width\u003c\/h4\u003e\u003cp\u003eIn many productions, the Mid concentrates the structuring elements: lead vocals, bass, kick, snare, lead instrument. In M\/S, you can act on this core of the track with a very direct sense of precision. The interest in mastering is to bring definition or density to the center \u003cstrong\u003ewithout overemphasizing\u003c\/strong\u003e reverbs, delays, and panned elements that live more on the sides.\u003c\/p\u003e\u003ch4\u003eSculpting Space and Depth Perception\u003c\/h4\u003e\u003cp\u003eConversely, the Side contains much of the ambiance and spatialization information. M\/S processing is therefore ideal to clarify an overly harsh high end on the sides or, on the contrary, to restore a sense of openness, air, and \"size\" to a mix. In mastering, this type of adjustment is often more musical than classic stereo correction because it respects the hierarchy of elements in the center.\u003c\/p\u003e\u003ch4\u003eMono Compatibility and Image Stability\u003c\/h4\u003e\u003cp\u003eA common stereo pitfall is instability: an overly wide low end, a hollowed center, an image that shifts between sections. M\/S allows these symptoms to be treated more targetedly. This is precisely why, as you point out, M\/S processing is often considered the most effective method to access \"individual elements\" inside a stereo file: you don't isolate a track, but you isolate \u003cstrong\u003ethe function\u003c\/strong\u003e of that track in space.\u003c\/p\u003e\u003ch4\u003e120V Technology: Headroom and Control on Critical Passages\u003c\/h4\u003e\u003cp\u003eIn mastering, work is often done with little margin for error: the goal is to improve without degrading. The 120V technology highlighted by Gemini suggests an approach focused on \u003cstrong\u003eheadroom\u003c\/strong\u003e and the ability to handle complex signals with ease. In practice, this type of architecture is particularly appreciated when applying subtle treatments on very dense modern mixes, where transients and the low spectrum can quickly saturate a less generous stage.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eU-height\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e1\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:2;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eSuitable for stereo image sculpting\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ecenter focus, width management, stability optimization\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"SPL","offers":[{"title":"Default Title","offer_id":54357627928851,"sku":"361534","price":2589.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/2ee2557cfb1808dfb9c3c5041384752a90b5bbfe_SPL_GEMINI.jpg?v=1794630946"},{"product_id":"behringer-superx-cx2310-v2-filtre-crossover-353867","title":"SUPERX CX2310 V2","description":"\u003ch3\u003eA Classic in System Management: the \"SUPER-X PRO\" Logic\u003c\/h3\u003e \u003cbr \/\u003e\u003cp\u003eThe CX2310 continues the tradition of analog stage and installation crossovers designed to optimize multi-way sound distribution with immediate usability. Its approach is simple and effective: ensuring a \u003cstrong\u003eclean distribution of the spectrum\u003c\/strong\u003e between amplifiers and speakers, while maintaining high audio quality thanks to low-noise op-amps and selected components. In a sound reinforcement-oriented range, it positions itself as a particularly relevant tool for \u003cstrong\u003ealignment\u003c\/strong\u003e and \u003cstrong\u003eprotection\u003c\/strong\u003e whenever you want to get the best out of a system with subwoofers, tops, or a three-way configuration.\u003c\/p\u003e \u003cbr \/\u003e\u003cbr \/\u003e\u003ch3\u003eWho Is It For and What Are Its Uses?\u003c\/h3\u003e \u003cbr \/\u003e\u003cp\u003eThis Behringer crossover is intended for users working with \u003cstrong\u003emulti-amplified sound systems\u003c\/strong\u003e: bands, service providers, DJs equipped with subs and tops, rehearsal rooms, small stages, places of worship, or fixed installations. In \u003cstrong\u003e2-way stereo mode\u003c\/strong\u003e, you clearly separate lows and highs into two bands, improving bass control, vocal clarity, and overall system efficiency. In \u003cstrong\u003e3-way mono mode\u003c\/strong\u003e, it becomes a true distribution center for a more elaborate system (lows \/ mids \/ highs). In both cases, the \u003cstrong\u003emono subwoofer output\u003c\/strong\u003e adds very appreciated flexibility to \"lock in\" the low end, where aligning crossover frequency and level often makes all the difference in the field.\u003c\/p\u003e \u003cbr \/\u003e\u003cbr \/\u003e\u003ch3\u003eKey Features and Highlights for Quick Adjustment\u003c\/h3\u003e \u003cbr \/\u003e\u003cbr \/\u003e\u003ch4\u003eLinkwitz-Riley 24 dB\/octave Filters: Musical and Clean Crossover\u003c\/h4\u003e \u003cbr \/\u003e\u003cp\u003eThe CX2310 incorporates \u003cstrong\u003eLinkwitz-Riley 24 dB\/octave filters\u003c\/strong\u003e, a recognized choice in sound reinforcement for achieving coherent summation between bands. The goal is clear: maintain a balanced response around crossover frequencies, with a more controlled transition between speakers, and limit unnecessary overlaps that can blur the mix.\u003c\/p\u003e \u003cbr \/\u003e\u003cbr \/\u003e\u003ch4\u003eIndependent Subwoofer Output: An Extra Bass Band Without Complications\u003c\/h4\u003e \u003cbr \/\u003e\u003cp\u003eThe CX2310 offers an \u003cstrong\u003eadditional subwoofer output\u003c\/strong\u003e with \u003cstrong\u003eindependent frequency\u003c\/strong\u003e and \u003cstrong\u003elevel control\u003c\/strong\u003e, over a specified range of \u003cstrong\u003e10 to 235 Hz\u003c\/strong\u003e. This architecture allows adding dedicated sub management to a 2-way stereo setup (which effectively becomes a \"2-way stereo + mono sub\" logic), or further extending a mono multi-way configuration. Since very low frequencies are perceived as non-directional, the sub output is provided in \u003cstrong\u003emono\u003c\/strong\u003e, practical and coherent for most systems.\u003c\/p\u003e \u003cbr \/\u003e\u003cbr \/\u003e\u003ch4\u003eSafety and Troubleshooting Controls: Phase, Mute, and 25 Hz Low-Cut\u003c\/h4\u003e \u003cbr \/\u003e\u003cp\u003eOn site, quick diagnosis is essential. The CX2310 includes \u003cstrong\u003emute switches\u003c\/strong\u003e per output to isolate a band instantly, as well as \u003cstrong\u003ephase inversion switches\u003c\/strong\u003e to immediately correct phase opposition between bands (or check wiring). A \u003cstrong\u003eswitchable 25 Hz low-cut filter\u003c\/strong\u003e on each input helps protect bass speakers from infrasonic and unwanted content, while relieving amplification where it is least efficient.\u003c\/p\u003e \u003cbr \/\u003e\u003cbr \/\u003e\u003ch4\u003eClear Readout and Reproducible Settings\u003c\/h4\u003e \u003cbr \/\u003e\u003cp\u003e\u003cstrong\u003eHigh-precision potentiometers\u003c\/strong\u003e and stage-oriented layout facilitate repeatable settings from one event to another. \u003cstrong\u003eIlluminated switches\u003c\/strong\u003e ensure safe use in dark environments, and the unit is designed to integrate naturally into a broadcast rack. Finally, the internal switching power supply \u003cstrong\u003e100 to 240 V\u003c\/strong\u003e aims for stable operation and reduced consumption, without sacrificing sonic discretion.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eNumber of channels\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e2\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eU-height\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e1\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:14;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003e19-inch rack compatible\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eYes, rack-mountable\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eAdjustable Attack \/ Release\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eNo\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:2;--wb-r:15;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eRack height (U)\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e1\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eGround Lift\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eNo\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:3;--wb-r:16;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eFrequency response from (Hz)\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e5\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003ePad switch\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eNo\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:4;--wb-r:17;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eFrequency response up to (Hz)\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e60000\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eLED clip\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eNo\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:5;--wb-r:18;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eGain\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eYes\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eInputs\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eXLR\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:6;--wb-r:19;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eLow cut\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eYes\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eOutputs\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eXLR\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:7;--wb-r:20;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eBypass\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eNo\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eMicrophone input\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eNo\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:8;--wb-r:21;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eActive\/passive\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eactive\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003ePhantom power\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eNo\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:9;--wb-r:22;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eCompressor\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eNo\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eHeadphone switch\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eNo\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:10;--wb-r:23;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eEqualizer\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eNo\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eMIDI compatible\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eNo\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:11;--wb-r:24;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eExpander\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eNo\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eDigital\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eNo\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:12;--wb-r:25;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eGate\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eNo\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eAdapter\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eNo\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:13;--wb-r:26;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eLimiter\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eNo\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Behringer","offers":[{"title":"Default Title","offer_id":54357810446611,"sku":"353867","price":84.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/5f39c5f7a9629dc20e03144b55dccbcb53477049_BEHRINGER_SUPERX_PRO_SERIES_CX2310_V2.jpg?v=1794633146"},{"product_id":"dbx-641m-processeur-zone-pro-6-in-4-out-sans-cran-337573","title":"641M","description":"\u003ch3\u003eZonePRO: an \"installation\" approach designed for multi-source distribution\u003c\/h3\u003e\u003cp\u003eThe \u003cstrong\u003eZonePRO\u003c\/strong\u003e range includes digital processors dedicated to fixed installations, designed to centralize sources, organize zone distribution, and apply necessary processing to protect the system. In this context, the \u003cstrong\u003e6 x 4 version without display\u003c\/strong\u003e favors discreet rack integration and control via programming, while maintaining connectivity suited for professional environments (RCA for consumer players, Euroblock for balanced connections).\u003c\/p\u003e\u003ch3\u003eWho is this 6 x 4 processor for?\u003c\/h3\u003e\u003cp\u003eThis processor is particularly suited for operators and integrators who need to manage multiple sources (background music, TV, media player, event microphone, DJ line) and feed multiple distribution outputs, with consistent control over time. It is ideal for venues requiring \u003cstrong\u003equick commissioning\u003c\/strong\u003e and \u003cstrong\u003esimple daily operation\u003c\/strong\u003e, while maintaining lockable settings to prevent handling errors.\u003c\/p\u003e\u003ch3\u003eDSP Processing: protection, intelligibility, and operational comfort\u003c\/h3\u003e\u003cp\u003eOnce analog signals are converted to digital, the \u003cstrong\u003einternal DSP\u003c\/strong\u003e applies a wide range of processing to meet the real needs of an installation: optimizing sound quality, level management, speaker protection, and diffusion consistency. The goal is twofold: enhance the listening experience (clarity, tonal balance, zone coherence) and secure the audio chain (saturation prevention, dynamic control).\u003c\/p\u003e\u003ch4\u003eMixing and routing tools\u003c\/h4\u003e\u003cp\u003eThe ZonePRO allows assigning different inputs to outputs according to usage scenarios (ambiance, microphone announcement, event). This flexibility facilitates multi-source management, including when multiple contents must coexist in the same space, with controlled levels and priorities.\u003c\/p\u003e\u003ch4\u003eEssential processing for installation\u003c\/h4\u003e\u003cp\u003eFeatures include \u003cstrong\u003emixing\u003c\/strong\u003e, \u003cstrong\u003efeedback eliminator\u003c\/strong\u003e, \u003cstrong\u003eautomatic gain control\u003c\/strong\u003e, \u003cstrong\u003ecompressor\u003c\/strong\u003e, \u003cstrong\u003elimiter\u003c\/strong\u003e, \u003cstrong\u003enoise gate\u003c\/strong\u003e, \u003cstrong\u003enotch filter\u003c\/strong\u003e, \u003cstrong\u003ehigh-pass\u003c\/strong\u003e and \u003cstrong\u003elow-pass filters\u003c\/strong\u003e, \u003cstrong\u003ecrossover\u003c\/strong\u003e, \u003cstrong\u003eparametric equalizer\u003c\/strong\u003e, as well as \u003cstrong\u003efunction locking\u003c\/strong\u003e to secure operation.\u003c\/p\u003e\u003ch4\u003ePC programming and program recall\u003c\/h4\u003e\u003cp\u003eConfiguration is done via a \u003cstrong\u003ePC\u003c\/strong\u003e, then the device operates autonomously. Depending on the site organization, programs (source, level, assignments) can be recalled to quickly switch from one context to another. Flush-mount wall remotes can also be used for program recall, convenient for \"staff\" use without access to the rack.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eNumber of channels\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e6\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eU-height\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e1\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:6;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eType\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eZonePRO 6 x 4 digital processor without display\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eFrequency response\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e20 Hz to 20 kHz, +\/-0.5 dB\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:2;--wb-r:7;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eInputs\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e2 stereo audio sources (unbalanced inputs on RCA connectors)\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eDynamic range\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e\u0026gt;109 dBA, \u0026gt;106 dB unweighted\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:3;--wb-r:8;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eOutputs\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e4 balanced outputs (on Euroblock terminals)\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eTHD + Noise\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e0.003% at +4 dBu, 1 kHz\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:4;--wb-r:9;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eFormat\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e1U\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eChannel crosstalk\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e\u0026gt;80 dB\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:5;--wb-r:10;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eConversion\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e24-Bit \/ 48 kHz\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003ePropagation delay\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e0.6 msec\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"DBX","offers":[{"title":"Default Title","offer_id":54358058008851,"sku":"337573","price":901.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/dd81676c96860df9e8b248f22befa38908eae73d_FREEVOX_126415.jpg?v=1794635489"},{"product_id":"dbx-venue360-337652","title":"VENUE360","description":"\u003ch3\u003eA DriveRack Heritage Serving Modern Sound Systems\u003c\/h3\u003e\u003cp\u003eThe DriveRack VENU360 continues the legacy of dbx DriveRack sound processors, known for offering an \"all-in-one\" approach: centralizing essential processing in a single device to achieve a coherent, high-performance system that is easier to operate. Designed as a powerful and affordable generation, it retains the fundamentals of the range while adding field-oriented features such as Ethernet control and a more guided setup assistant.\u003c\/p\u003e\u003ch3\u003eWho Is the DriveRack VENU360 For and What Are Its Applications?\u003c\/h3\u003e\u003cp\u003eThe dbx DriveRack VENU360 targets sound providers, front-of-house technicians, stage managers, and installers who want a \u003cstrong\u003ereliable sound management processor\u003c\/strong\u003e for various configurations: active or powered speakers, systems with subwoofers, monitors, or multi-zone distribution. It is particularly relevant when you need to \u003cstrong\u003estandardize your settings\u003c\/strong\u003e from one venue to another, save time during soundcheck, reduce feedback risks, and secure operation thanks to dedicated processing between the console and amplification chain.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eNumber of channels\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e6\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eU-height\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e1\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:5;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eBalanced analog or AES\/EBU digital inputs\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e2 via XLR\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eControl port\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eEthernet (controlled via a compatible Android, iOS, Mac or Windows device)\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:2;--wb-r:6;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eBalanced analog input\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e1 via XLR\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eTested Dlink wireless routers\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eDlink 636L, Dlink Cloud router 2000\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:3;--wb-r:7;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eRTA mic input\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e1\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eCisco \/ linksys\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eWRT54G2V1\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:4;--wb-r:8;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eBalanced analog outputs\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e6 via XLR\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eTested Netgear wireless routers\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eNetgear WGR614 v7, Netgear WNR 1000\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"DBX","offers":[{"title":"Default Title","offer_id":54358058631443,"sku":"337652","price":1546.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/27917644a06dca51990edbcb587901ffaa1f999a_FREEVOX_127869.jpg?v=1794635467"},{"product_id":"fbt-dlm-260-422583","title":"DLM 260","description":"\u003ch3\u003eA 2-in\/6-out architecture designed as the \"brain\" of your system\u003c\/h3\u003e\u003cp\u003eThe FBT DLM 260 fits within the logic of speaker management processors: centralizing filtering, protection, and signal distribution in one place to gain coherence and safety. With its 2 inputs and 6 outputs, it naturally sits at the heart of a multi-amplified sound chain, offering comfortable flexibility to distribute the channels (subs, low-mid, mid-high), create dedicated outputs (fills, delays), or structure zones in fixed installations. Its compact format facilitates integration in FOH, rental racks, or technical cabinets.\u003c\/p\u003e\u003ch3\u003eWho is the FBT DLM 260 for and in which applications does it excel?\u003c\/h3\u003e\u003cp\u003eThis processor is aimed at rental companies, technicians, and integrators who want to \u003cstrong\u003esecure\u003c\/strong\u003e a sound system and \u003cstrong\u003estandardize\u003c\/strong\u003e their settings from one event to another. In concerts, it allows building a clean and robust system: precise filtering, dynamic control per output, and quick routing according to stage configuration. In clubs, multipurpose rooms, or places of worship, it becomes a reliable control point to manage sound zones and preserve speakers over time, even when multiple users take turns. It is also relevant whenever phase alignment and sub management (including cardioid) are priorities, to achieve clearer bass and better-controlled coverage.\u003c\/p\u003e\u003ch3\u003eKey features: filtering, protection, and phase alignment serving the result\u003c\/h3\u003e\u003ch4\u003eCustom filtering for clean channel separation\u003c\/h4\u003e\u003cp\u003eThe DLM 260 offers filtering tools dedicated to system construction: \u003cstrong\u003eHi-pass\u003c\/strong\u003e, \u003cstrong\u003eLo-pass\u003c\/strong\u003e, and \u003cstrong\u003ecustom Shelving\u003c\/strong\u003e. The goal is twofold: protect transducers (by avoiding unnecessary or harmful frequencies) and optimize clarity (by reducing overlap between channels). This type of filtering is especially useful to get the best from top cabinets + subs, but also to calibrate fills or nearfield speakers that do not require the full bandwidth.\u003c\/p\u003e\u003ch4\u003eDynamic management per output: maintain impact without endangering the system\u003c\/h4\u003e\u003cp\u003eEach output channel features an \u003cstrong\u003eRMS compressor\u003c\/strong\u003e and a \u003cstrong\u003ePeak limiter\u003c\/strong\u003e, with time constants and an algorithm optimized for thermal and mechanical protection of the speakers. In practice, this contains excesses (transient peaks, prolonged level increases, overly dense content) while preserving a sense of dynamics. The expected result is a more stable, less aggressive sound and longer component lifespan, especially on systems driven at high levels or for extended durations.\u003c\/p\u003e\u003ch4\u003eDCL mode: fine and musical level control\u003c\/h4\u003e\u003cp\u003eThe \u003cstrong\u003edouble compressor limiter (DCL)\u003c\/strong\u003e mode adds a particularly interesting approach when pushing the system without crushing it. It combines a \u003cstrong\u003etwo-band RMS compressor\u003c\/strong\u003e and a \u003cstrong\u003epeak limiter\u003c\/strong\u003e, with adjustable HP\/LP crossover frequency and separate parameters. This logic helps to differently control energy across frequency bands, maintaining low-end weight while avoiding harshness in the highs, or vice versa depending on system signature and music played.\u003c\/p\u003e\u003ch4\u003eALL PASS filters: phase precision and cardioid subs\u003c\/h4\u003e\u003cp\u003e\u003cstrong\u003eALL PASS filters\u003c\/strong\u003e are valuable allies when the difference is made in alignment. They are indicated as useful for \u003cstrong\u003ecardioid SUB\u003c\/strong\u003e configurations, for very precise phase transition alignment, and for alignment between different speakers and systems. Practically, these tools facilitate coherence between subs and tops, improve impact perception, and contribute to better bass directivity when the configuration allows, with a special configuration control matrix designed for these uses.\u003c\/p\u003e\u003ch4\u003eFree routing: adapt the sound distribution to the venue, not the other way around\u003c\/h4\u003e\u003cp\u003eThe ability to freely assign the \u003cstrong\u003eL\u003c\/strong\u003e, \u003cstrong\u003eR\u003c\/strong\u003e, or \u003cstrong\u003eL+R\u003c\/strong\u003e input to each output simplifies life on site. For example, you can feed some outputs in mono (fills, subs, delays) while maintaining a stereo mix on the front, or quickly build a distribution adapted to different zones. This flexibility results in faster settings and more confident operation, especially when venue constraints change from one date to another.\u003c\/p\u003e\u003cul\u003e\u003cli\u003eRMS compressor and Peak limiter on each output channel, with time constant and algorithm optimized to protect the loudspeakers thermally and mechanically while maximizing output without audible distortion\u003c\/li\u003e\u003c\/ul\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eU-height\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e1\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:6;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eType\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eloudspeaker management processor\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eFilters\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eHi-pass, Lo-pass, custom shelving, ALL PASS\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:2;--wb-r:7;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eTechnology\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003edigital\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eDynamic processing per output channel\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eRMS compressor and Peak limiter, with time constant and thermal and mechanical loudspeaker protection algorithm\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:3;--wb-r:8;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eNumber of inputs\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e2\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eDual compressor limiter mode (DCL)\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003etwo-band RMS compressor and peak limiter with adjustable HP\/LP crossover frequency and separate parameter\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:4;--wb-r:9;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eNumber of outputs\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e6\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e480 x 220 x 40 mm\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:5;--wb-r:10;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eAssignment to each output channel\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003efreely assignable input channel L, R or L+R\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eWeight\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e2.8 kg\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"FBT","offers":[{"title":"Default Title","offer_id":54358526853395,"sku":"422583","price":959.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/ff9172a61f9c3d75fedfe5f775ff972f8f727501_MSC_92952.jpg?v=1794643189"},{"product_id":"dap-audio-com-art-253938","title":"COM-art","description":"\u003ch3\u003eA UHF PLL Solution Designed for Mobility and Simplicity\u003c\/h3\u003e\u003cp\u003eThe COM-ART belongs to the category of compact UHF wireless audio systems, designed to save time on stage, during rehearsals, or at event installations. Its principle is simple: the transmitter sends the signal, the receiver picks it up, sparing you a potentially cumbersome cable (floor routing, movement, quick changes). PLL technology (phase-locked loop) ensures tuning stability: you select a channel from presets, and the system locks onto a working frequency within a dedicated UHF band.\u003c\/p\u003e\u003cp\u003eWith a frequency band from 606 to 630 MHz divided into 16 channels, the COM-ART offers a straightforward and efficient approach: select a preset, power the transmitter and receiver, then work freely. For stereo applications, simply use \u003cstrong\u003etwo sets\u003c\/strong\u003e to manage left and right channels separately.\u003c\/p\u003e\u003ch3\u003eWho It's For and What It's For: Quick-to-Implement Wireless Audio Transmission\u003c\/h3\u003e\u003cp\u003eThe COM-ART is aimed at those who need a lightweight and simple wireless audio link: musicians, technicians, event speakers, or sound system users wishing to reduce cables while maintaining audio quality suitable for broadcast. The receiver's format, designed to plug directly into an amplifier or active speaker, facilitates quick transitions between different setups (rehearsal, small stage, event hosting, temporary installation).\u003c\/p\u003e\u003cp\u003eThanks to its power supply via AA battery (LR6) or Mini USB, the COM-ART adapts to situations where access to a power outlet is not guaranteed, while allowing powered use when preferable. Under ideal conditions, its advertised range of up to 50 meters provides comfortable leeway for movement and flexible system placement.\u003c\/p\u003e","brand":"Dap Audio","offers":[{"title":"Default Title","offer_id":54358634823955,"sku":"253938","price":89.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/71b48727f5186fd32dce0c5fdadfebfbe0aae456_DAP_D1414.jpg?v=1794647915"},{"product_id":"elysia-alpha-compressor-183100","title":"alpha compressor","description":"\u003ch3\u003eA Compressor That Breaks the Mold of High-End Dynamic Processing\u003c\/h3\u003e\u003cp\u003eThe Alpha Compressor was designed as a reference dynamic compressor for the most demanding applications, where the slightest coloration or loss of definition becomes apparent. Its circuit is a completely new design, developed to provide a sense of openness and clarity that is difficult to achieve with more conventional compressors. Each processing module is based on unique transistors operating in Class A, while the power supply and sidechain rely on discrete circuits and components selected for their sonic quality. The result aims for \"invisible\" compression when desired, but also capable of imprinting a firm and modern signature without crushing the signal.\u003c\/p\u003e\u003ch3\u003eWho It's For and In Which Uses the Alpha Compressor Makes a Difference\u003c\/h3\u003e\u003cp\u003eThis stereo compressor is primarily intended for mastering engineers, mixing studios, and producers working on critical sources: stereo buses, stem mastering, subgroups (drums, music, vocals), or highly controlled parallel processing. Its major advantage is allowing significant gain reduction while preserving transient clarity and low-end stability. Whether for pop, rap, electronic, or acoustic music, the Alpha Compressor helps gain density, sustain, and perceived loudness without sacrificing musical dynamics. It also becomes a formidable finishing tool to \"glue\" a mix or, conversely, to precisely accentuate punch.\u003c\/p\u003e\u003ch3\u003eAdvanced Features and a Modern Approach to Compression\u003c\/h3\u003e\u003ch4\u003eM\/S Matrix and Flexible Matrix: Sculpt the Stereo Image with Precision\u003c\/h4\u003e\u003cp\u003eThe integrated M\/S matrix opens the door to treatments impossible with a classic stereo compressor. You can control the center and sides differently to stabilize a vocal or snare in the middle while letting reverbs and side elements breathe. The flexible matrix allows adapting the processing logic to your workflow, whether for surgical mastering or a more creative approach.\u003c\/p\u003e\u003ch4\u003eSwitchable Feed Forward and Feedback: Two Behaviors, One Machine\u003c\/h4\u003e\u003cp\u003eThe Feed Forward mode and Feedback mode offer two philosophies of dynamic control. One often favors a more direct and predictable action, while the other can provide a more organic and \"musical\" feel depending on the program. Being able to switch between these two behaviors allows fine-tuning the compressor's response to the style, tempo, and texture of the mix without changing devices.\u003c\/p\u003e\u003ch4\u003eAuto Fast and Parallel Compression: Punch, Density, and Transient Preservation\u003c\/h4\u003e\u003cp\u003eThe Auto Fast function adapts attack and release to maintain effective control, especially when content varies greatly (quiet verses, dense choruses, electronic drops). Combined with parallel compression, it facilitates achieving a thicker and more present sound while preserving the original definition. This approach is ideal for enhancing perceived energy without making the signal feel \"flattened.\"\u003c\/p\u003e\u003ch4\u003eAudio Filters and Sidechain Filter: Make the Compressor React as You Wish\u003c\/h4\u003e\u003cp\u003eThe integrated filters (audio filter and sidechain filter) provide real comfort in mastering and mix bus work. The sidechain filter helps limit unwanted pumping, for example when the bass triggers compression too much. By adjusting the adjustable sidechain, you choose which spectral areas drive detection to compress \"intelligently\": more sustain, fewer side effects, and better mix coherence.\u003c\/p\u003e\u003ch4\u003eMeasurement, Wiring, and Control: A Studio Tool in the Strictest Sense\u003c\/h4\u003e\u003cp\u003eThe analog LED level display clearly tracks the signal's behavior, while the detented controls promote precision and recalls. Vovox Sound cables contribute to the \"no compromise\" philosophy of the whole, with attention paid to audio path integrity. Add to this a very wide bandwidth, low noise level, large dynamic range, and high maximum levels: the Alpha Compressor is ready to handle modern chains, high-level converters, and cascading processing without becoming the limiting link.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eNumber of channels\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e2\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eU-height\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e3\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:4;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eFrequency response\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ebelow 10 Hz to 200 kHz (-0.5 dB)\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eInput \/ output level (Max)\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e+28 \/ +27 dBu\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:2;--wb-r:5;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eNoise level (20 Hz to 20 kHz)\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e-95.8 dBu\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eInput \/ output impedance\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e10 kOhm \/ 68 Ohm\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:3;--wb-r:6;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eDynamic range (20 Hz to 22 kHz)\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e122 dB\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eWeight\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e16 kg\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Elysia","offers":[{"title":"Default Title","offer_id":54358686433555,"sku":"183100","price":11222.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/2f981f2db950d9bbf01d5844a65fd8257d4613ca_elysia_alpha_compressor_19inch_front_perspective.jpg?v=1794647936"},{"product_id":"palmer-ahmctxl-v2-multitesteur-de-cbles-349404","title":"AHMCTXL V2 - CABLE MULTI TESTER","description":"\u003ch3\u003eA V2 Version Designed for the Demands of Stage and Installation\u003c\/h3\u003e\u003cp\u003eThe AHMCTXL V2 falls into the category of \"essential\" tools whenever you handle cables daily: control rooms, studios, fixed installations, event services, or simple home studios. The goal is clear: to reduce time lost searching for intermittent faults, bad contacts, conductor reversals, or poorly wired cables. Thanks to its compact size, it easily fits into a flight case, maintenance kit, or technician's bag, while remaining oriented towards professional use with a robust and durable chassis.\u003c\/p\u003e\u003ch3\u003eWho Benefits from the AHMCTXL V2 and in What Applications?\u003c\/h3\u003e\u003cp\u003eThis multitester is aimed at sound and lighting technicians, musicians, asset managers, integrators, and anyone who wants to secure a signal chain before a session or concert. It is especially useful when a problem arises \"at the worst moment\": hiss, dropouts, no signal, reversed channels, or unstable network communication. In seconds, you can confirm whether the cable is at fault, then proceed with targeted troubleshooting instead of random replacements.\u003c\/p\u003e\u003cp\u003eIn studios and installations, the \u003cstrong\u003eincluded probes\u003c\/strong\u003e also allow you to trace faults on non-standard connections or quickly verify signal flow on existing wiring, which is practical for racks, patch bays, technical walls, and cable routes.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eNumber of channels\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e11\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eQuantity\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e2\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Palmer","offers":[{"title":"Default Title","offer_id":54358811246867,"sku":"349404","price":70.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/df84ca34dd4eeb76485af685c02e70add194d6ac_PALMER_AHMCTXLV2.jpg?v=1794647886"},{"product_id":"spl-transient-designer-4-mk2-371174","title":"TRANSIENT DESIGNER 4 MK2","description":"\u003ch3\u003eFrom 1998 to Today: The Transient Designer Reference in a 4-Channel Format\u003c\/h3\u003e\u003cp\u003eIn 1998, SPL marked a turning point by launching the very first Transient Designer, a processor that opened a new category in the studio: \u003cstrong\u003etransient processing\u003c\/strong\u003e through separate control of attack and sustain. While a compressor relies on threshold, ratio, and timing (attack\/release), the Transient Designer acts directly on the perceived envelope of the signal, which changed the way to shape a snare drum, tighten a kick, add \"punch\" to a guitar take, or shorten an overly dominant room sound. The \u003cstrong\u003eTransient Designer 4 Mk2\u003c\/strong\u003e continues this legacy: it retains the processing qualities that made the series famous while modernizing the interface and handling with its aluminum controls, and especially by combining \u003cstrong\u003efour channels\u003c\/strong\u003e in a single rack unit.\u003c\/p\u003e\u003ch3\u003eWho Is the Transient Designer 4 Mk2 For, and When Does It Make a Difference?\u003c\/h3\u003e\u003cp\u003eThe SPL Transient Designer 4 Mk2 is aimed at \u003cstrong\u003erecording studios\u003c\/strong\u003e, mix engineers, and producers who want to save time and achieve immediate results on percussive or rhythmic sources. It is a formidable tool on \u003cstrong\u003edrums\u003c\/strong\u003e (kick, snare, toms, overheads, room), \u003cstrong\u003epercussions\u003c\/strong\u003e, \u003cstrong\u003ebass\u003c\/strong\u003e (pick attack or slap), \u003cstrong\u003eguitars\u003c\/strong\u003e (sharper attack or controlled sustain), as well as on \u003cstrong\u003epianos\u003c\/strong\u003e or \u003cstrong\u003eloops\u003c\/strong\u003e to reshape dynamics without crushing the signal.\u003c\/p\u003e\u003cp\u003eWith its 4 channels, it integrates perfectly into a modern workflow: processing multiple drum mics, managing stems, or quickly correcting heterogeneous takes. In mixing, it helps to make an element \"stand out\" without excessively raising the level, and to \u003cstrong\u003eclean up\u003c\/strong\u003e an overly long sustain (resonances, bleed, room) while preserving transient energy.\u003c\/p\u003e\u003ch3\u003ePrecise, Fast, and Musical Envelope Shaping\u003c\/h3\u003e\u003ch4\u003eDifferential Envelope Technology: A No-Fuss Approach\u003c\/h4\u003e\u003cp\u003eThe Transient Designer 4 Mk2 is based on \u003cstrong\u003edifferential envelope technology\u003c\/strong\u003e, designed to modify the impact and sustain of a sound intuitively. Rather than \"compressing,\" it allows you to boost or attenuate the \u003cstrong\u003eattack phase\u003c\/strong\u003e and the \u003cstrong\u003edecay phase\u003c\/strong\u003e independently. In practice, this translates to faster adjustments, immediate feedback on the result, and great efficiency for reshaping a take that lacks punch or, conversely, taming an aggressive transient.\u003c\/p\u003e\u003ch4\u003eTwo Key Controls: Attack and Sustain\u003c\/h4\u003e\u003cp\u003eThe \u003cstrong\u003eAttack\u003c\/strong\u003e control makes a sound more punchy or softer: the attack of a signal can be \u003cstrong\u003eincreased or decreased by up to 15 dB\u003c\/strong\u003e. The \u003cstrong\u003eSustain\u003c\/strong\u003e control affects the sense of length and ambiance: the decay phase can be \u003cstrong\u003eamplified or reduced by up to 24 dB\u003c\/strong\u003e. In practice, you can shorten a snare that rings too long, tighten a sloppy kick, open up a room mic for more size, or create the illusion of a more \"alive\" take without resorting to complex processing.\u003c\/p\u003e\u003ch4\u003eStereo Link and Headroom for Reliable Studio Integration\u003c\/h4\u003e\u003cp\u003eThe \u003cstrong\u003eLink function\u003c\/strong\u003e facilitates stereo processing, useful on overheads, room mics, percussion buses, or stems. Regarding integration, the Transient Designer 4 Mk2 accepts and delivers up to \u003cstrong\u003e21 dBu\u003c\/strong\u003e, ensuring excellent headroom before saturation in professional analog chains. Its very wide \u003cstrong\u003efrequency response\u003c\/strong\u003e helps preserve transient definition, and its low distortion rate maintains a clean sound even when pushing settings for creative effects.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eNumber of channels\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e4\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eU-height\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e1\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:5;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eAttack\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eincrease or decrease attack phase up to 15 dB\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eFrequency response (-3 dB)\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e10 - 100,000 Hz\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:2;--wb-r:6;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eSustain\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eamplify or attenuate decay phase up to 24 dB\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eTHD+N (0 dBu, 10 Hz - 22 kHz)\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e0.021%\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:3;--wb-r:7;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eMaximum input level\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e21 dBu\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eDimensions (W x H x D)\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e482 x 44 x 237 mm\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:4;--wb-r:8;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eMaximum output level\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e21 dBu\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eWeight\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e3.3 kg\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"SPL","offers":[{"title":"Default Title","offer_id":54358862397715,"sku":"371174","price":1199.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/c7498a484f479ea91e310c676bf019808f301da1_SPL_2220.jpg?v=1794650330"},{"product_id":"manley-massive-passive-mastering-184887","title":"Massive Passive Mastering","description":"\u003ch3\u003eThe Mastering Version, Heir to the Reference Massive Passive\u003c\/h3\u003e\u003cp\u003eThe Massive Passive redefined the color and transparency of tube passive equalizers. The \"Mastering\" version retains this musical character while adding what studios seek: reliable recall, perfectly matched channels, and redesigned filters to work on the full program with pinpoint accuracy.\u003c\/p\u003e\u003ch3\u003eDesigned for Mastering, Formidable on the Mix Bus\u003c\/h3\u003e\u003cp\u003eIdeal for mastering engineers and stereo bus processing, it excels in broad and coherent adjustments, tonal balance corrections, and transient shaping without a \"processed sound.\" The mechanical detents allow settings to be recorded and reproduced, ensuring consistency across versions, recalls, and revisions.\u003c\/p\u003e\u003ch3\u003eFeatures and Innovations Serving the Sound\u003c\/h3\u003e\u003cp\u003e\u003cstrong\u003eUncompromising recall:\u003c\/strong\u003e The detented GAIN and BANDWIDTH controls (16 positions) allow repeatability while preserving the intentional interaction between gain and bandwidth. The maximum amplitude is calibrated for mastering: +\/-11 dB, with values varying according to bandwidth (widest bell ~= 6 dB, narrowest Baxandall ~= 12 dB). The frequency selector is detented (Grayhill).\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eTube passive architecture:\u003c\/strong\u003e passive processing, \u003cstrong\u003etube line drivers\u003c\/strong\u003e, and \u003cstrong\u003eparallel topology\u003c\/strong\u003e for curves that blend musically. Bands can overlap without artificially summing, avoiding clipping while remaining natural.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eDedicated Mastering filters:\u003c\/strong\u003e high-pass and low-pass filters retuned, flatter before the action zone, for surgical cleaning of the low end and ultra-high frequencies. Slopes are very steep to clear space without affecting the music.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eNumber of channels\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e2\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eU-height\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e3\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:14;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eInputs and outputs\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ebalanced XLR and 6.35 mm stereo jacks, accept unbalanced connections.\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eLow-pass filters\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eOFF, 52 k, 40 k, 27 k, 20 k, 15 kHz.\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:2;--wb-r:15;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eNominal level\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e+4 dBu, internal microswitches provided for operation at -10.\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eTypical slopes on the Mastering version\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e18 dB\/oct (52 kHz to 30 dB\/oct) ; very steep slopes possible up to 36 dB\/oct depending on use.\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:3;--wb-r:16;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eBypass function\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ebypasses the equalizer and tube circuits.\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eFrequency response\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e+\/-2 dB from 8 Hz to 60 kHz.\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:4;--wb-r:17;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eEqualizer architecture\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003efully passive, symmetrical parallel topologies.\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eMaximum output level at 1.5% THD\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e+37 dBv ; +26 dBv at 20 Hz.\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:5;--wb-r:18;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eNumber of frequencies\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e44, spaced approximately one quarter-octave apart.\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eTHD + noise (1 kHz at +4 dBu)\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e0.06%.\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:6;--wb-r:19;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eOperating frequency range\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e22 Hz to 27 kHz.\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eNoise floor (reference +4 dBu)\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e-85 dB (A-weighted).\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:7;--wb-r:20;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eCut\/boost range\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003emaximum +\/-11 dB.\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eDynamic range\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e120 dB.\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:8;--wb-r:21;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eNominal bandwidth (Q)\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e1.5 to 3 (active in Baxendall modes).\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eTubes\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e2 x 12AU7, 4 x 6414.\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:9;--wb-r:22;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eBand configuration\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ebell or Baxendall for each band, with possible frequency overlap.\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003ePower consumption (120\/240 VAC)\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e72 W.\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:10;--wb-r:23;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eGAIN and BANDWIDTH controls\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003edetented, 16 positions, step size varies according to bandwidth.\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eFactory-set mains voltage\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e100 V, 120 V or 220-240 VAC depending on destination country.\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:11;--wb-r:24;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eIndicative amplitudes according to bandwidth\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ewidest bell ~\\= 6 dB ; narrowest Baxendall ~\\= 12 dB.\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eMains voltage modification\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003evia the power transformer selector, with fuse replacement.\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:12;--wb-r:25;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eFREQUENCY selector\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003edetented Grayhill contacts.\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eMains frequency\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e50-60 Hz.\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:13;--wb-r:26;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eHigh-pass filters\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eOFF, 12, 16, 23, 30, 39 Hz.\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eFine gain adjustment\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e11-position Grayhill selectors, 0.5 dB steps, range from -2.5 to +2.5 dB.\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Manley","offers":[{"title":"Default Title","offer_id":54359102259475,"sku":"184887","price":7299.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/7cb440442fdbeb2ec20db048e56e8ca34c6f8ecd_MANLEY_MMMSMP.jpg?v=1794655486"},{"product_id":"klark-teknik-pro-splitter-5-ds-50-353939","title":"Pro Splitter 5 DS 50","description":"\u003ch3\u003eThe Klark Teknik Legacy Serving a \"Stage-Ready\" Splitter\u003c\/h3\u003e\u003cp\u003eWith the DS 50, Klark Teknik applies its historic expertise in signal processing and distribution to a simple, reliable tool tailored for professional environments. The goal is clear: to offer a line-level splitter capable of duplicating a balanced XLR signal to multiple devices without compromising dynamic range and transparency. Positioned as a compact yet demanding solution, the DS 50 is intended for both live sound engineers and integrators looking for a passive box that is easy to deploy and consistent from one setup to another.\u003c\/p\u003e\u003ch3\u003eWho Is the Klark Teknik DS 50 For and What Are Its Use Cases?\u003c\/h3\u003e\u003cp\u003eThe DS 50 is designed for all situations where you need to send \u003cstrong\u003ethe same microphone or line-level balanced XLR signal\u003c\/strong\u003e to \u003cstrong\u003efive distinct destinations\u003c\/strong\u003e. In concerts, it perfectly suits scenarios of sharing signal between a front of house (FOH) console and a monitor console, or simultaneously feeding a broadcast control room, a recorder, an active monitoring system, and a secondary console. In audiovisual and multimedia contexts, it easily integrates into mobile racks, studios, conference rooms, or fixed installations where signal distribution must remain clean, stable, and quick to wire.\u003c\/p\u003e\u003cp\u003eIts \u003cstrong\u003epassive\u003c\/strong\u003e operation is a major advantage in the field: no power supply needed, no power brick to secure, and immediate deployment. It is a relevant choice when operational simplicity and reliability are priorities, while maintaining accurate reproduction across a wide frequency range.\u003c\/p\u003e\u003ch3\u003eDesign, Connectivity, and Performance: The DS 50's \"High Headroom\" Approach\u003c\/h3\u003e\u003ch4\u003eOptimized Input and Ultra-Linear Response\u003c\/h4\u003e\u003cp\u003eThe DS 50 features a custom input circuit developed with advanced analog design techniques to achieve an \u003cstrong\u003eimpedance matching\u003c\/strong\u003e adapted for low noise and \u003cstrong\u003eultra-linear\u003c\/strong\u003e behavior. This architecture aims to preserve the signal's dynamics and definition when duplicating to multiple outputs. The result: a frequency response rated from \u003cstrong\u003e20 Hz to 22 kHz\u003c\/strong\u003e with a variation of only \u003cstrong\u003eplus or minus 0.05 dB\u003c\/strong\u003e, ensuring coherent and transparent reproduction across the entire useful spectrum.\u003c\/p\u003e\u003ch4\u003eBalanced XLR Distribution to 5 Outputs\u003c\/h4\u003e\u003cp\u003eThe DS 50's mission is to route a balanced XLR input signal to \u003cstrong\u003efive balanced XLR outputs\u003c\/strong\u003e, each intended for a specific application: mixing console, monitors, broadcast, recording, external processor, or any other compatible equipment. In real-world use, this configuration saves valuable patching time while reducing makeshift solutions and cascades of adapters. The DS 50 thus stands as a \"clean\" distribution tool, designed for professional workflows where cable clarity and repeatability matter as much as audio quality.\u003c\/p\u003e\u003ch4\u003eConnectors and Reliability on Tour\u003c\/h4\u003e\u003cp\u003eThe connectivity relies on \u003cstrong\u003eNeutrik XLR connectors\u003c\/strong\u003e, chosen for their reliability and mechanical durability, especially appreciated during repeated setups and teardowns. The \u003cstrong\u003eultra-compact\u003c\/strong\u003e extruded aluminum housing protects the electronics and withstands transport stresses. Rubber protections enhance shock resistance and minimize handling impacts. Designed to accompany mobile setups, the DS 50 easily fits into a flycase, on a stage, or close to the stage to optimize cable lengths and line distribution.\u003c\/p\u003e\u003cp\u003eFinally, its \u003cstrong\u003epassive\u003c\/strong\u003e design avoids power constraints and contributes to operational peace of mind: fewer failure points, fewer dependencies, and immediate commissioning. The DS 50 is stated as \u003cstrong\u003edesigned and manufactured in the United Kingdom\u003c\/strong\u003e, a hallmark appreciated by many professionals seeking durable equipment.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eNumber of channels\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e5\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:6;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eConnector\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eXLR, balanced\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eCMRR\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e98 dB typical\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:2;--wb-r:7;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eConnectors\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e5 x XLR, balanced\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eInsertion loss\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e0.05 dB at 100 kOhms, 0.7 dB at 600 ohms\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:3;--wb-r:8;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eFrequency response\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e20 Hz to 22 kHz (+\/-0.05 dB)\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003ePower required\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003epassive\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:4;--wb-r:9;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eTHD + N (distortion)\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eless than 0.01% at 1 kHz, +4 dBu\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eDimensions (W x D x H)\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e118 x 112 x 64 mm (4.6 x 4.4 x 2.5 inches)\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:5;--wb-r:10;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eSignal-to-noise ratio\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e121 dB\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eWeight\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e0.43 kg\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Klark Teknik","offers":[{"title":"Default Title","offer_id":54359176446227,"sku":"353939","price":33.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/4014066da6524b4eb585713882b6b3ccb3f904ec_KLARKTEKNIK_PRO_SPLITTER_5_DS_50.jpg?v=1794652858"},{"product_id":"spl-hermes-361533","title":"Hermes","description":"\u003ch3\u003eA \"mastering console\" approach rooted in SPL 120V DNA\u003c\/h3\u003e\u003cp\u003eHermes follows the SPL \"120V\" philosophy, developed by Wolfgang Neumann in the 1990s with a simple idea: to achieve truly superior audio quality, a very high operating voltage is required. This approach took an iconic form in the early 2000s with the SPL MMC1 mastering console (designed for demanding environments), and has since become the foundation of SPL's premium products, from mastering to studio and hi-fi listening.\u003c\/p\u003e\u003cp\u003eOn Hermes, this signature is not a \"boutique\" effect: it secures levels, stabilizes playback, and keeps the chain calm when modern conversions and chained analog processing push peaks higher. The result: a more relaxed listening experience, rich in micro-details, and the ability to work for long periods without fatigue.\u003c\/p\u003e\u003ch3\u003eWho it's for, and in which workflows Hermes makes a difference\u003c\/h3\u003e\u003cp\u003eHermes is designed for mastering engineers (and mix engineers focused on the \"mix bus\") who use multiple stereo analog processors and want \u003cstrong\u003ereliable recall\u003c\/strong\u003e and \u003cstrong\u003eimmediate comparisons\u003c\/strong\u003e without complex patchbays or multiplying conversions. It's also a formidable tool for hybrid studios: you keep your DAW as the control center while benefiting from an analog architecture capable of chaining sophisticated processing cleanly.\u003c\/p\u003e\u003cp\u003eIts value becomes clear as soon as you need to answer concrete, typical pro session questions: \"This EQ before or after the compressor?\", \"What if we do 30% parallel on this VCA, then 10% on an opto?\", \"Which chain holds up best when pushing the level?\" Hermes turns these hesitations into quick, reproducible, and perfectly comparable decisions.\u003c\/p\u003e\u003ch3\u003eRecallable routing, double parallel: a router that behaves like a decision-making instrument\u003c\/h3\u003e\u003ch4\u003eUp to eight stereo processors, in the order you choose\u003c\/h4\u003e\u003cp\u003eThe heart of Hermes is freedom: your signal can be processed by \u003cstrong\u003eup to eight 2-channel processors\u003c\/strong\u003e (EQs, compressors, de-essers, saturations, M\/S, etc.) in the exact order you decide. Once the chain is built, it can be \u003cstrong\u003estored\u003c\/strong\u003e and recalled, providing real comfort in modern mastering: consistency across tracks, client revisions, alternative versions, or simple A\/B\/C\/D comparisons.\u003c\/p\u003e\u003ch4\u003eCompare up to four complex chains instantly\u003c\/h4\u003e\u003cp\u003eIn mastering, quality depends not only on good gear but on the right \u003cstrong\u003escenario\u003c\/strong\u003e: the sequence of processing, their interactions, and the subtle tweaks that change perception. Hermes allows you to face off \u003cstrong\u003eup to four chains\u003c\/strong\u003e and switch between them at the push of a button. You compare \"structural\" decisions (order, insertion, parallel) as easily as if you were toggling a simple bypass.\u003c\/p\u003e\u003ch4\u003eTwo stages of Parallel Mix, freely assignable\u003c\/h4\u003e\u003cp\u003eWhere many setups stop at a single parallel path, Hermes offers \u003cstrong\u003etwo stages of parallel mix\u003c\/strong\u003e (dual Parallel Mix) that you can \u003cstrong\u003efreely assign\u003c\/strong\u003e to the eight processors, then store with the chain. Practically, you can test two different compressions in parallel, each with its own level, without rebuilding your routing or changing your global gain staging.\u003c\/p\u003e\u003cp\u003eThis is especially effective for: enhancing impact without crushing transients, thickening low-mids without blurring the image, or adding cohesion to a mix while preserving openness. And since these parallels are designed for \"mastering,\" the goal remains precision, quick decision-making, and reproducibility.\u003c\/p\u003e\u003ch4\u003e120V technology: headroom, silence, and stability\u003c\/h4\u003e\u003cp\u003eSPL's 120V technology relies on very high internal voltage (analog audio at +\/- 60 V) and proprietary operational amplifiers designed to handle these conditions. Compared to more conventional circuits (often around +\/- 15 V), this provides \u003cstrong\u003esignificantly greater headroom\u003c\/strong\u003e: your peaks pass without distortion, your serial processing remains clear, and connected devices operate in a more comfortable zone.\u003c\/p\u003e\u003cp\u003eIn practice, this translates to calmer, more detailed playback, a more stable sense of depth, and more natural behavior when driving a compressor or EQ with already high levels. For mastering, this is an immediate advantage: you gain confidence in micro-decisions, and your chain stays coherent even when multiplying stages.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eNumber of channels\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e8\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eU-height\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e2\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:11;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eAnalog inputs and outputs\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eXLR and DB25 (balanced)\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eOperating voltage for analog audio\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e+\/- 60 V\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:2;--wb-r:12;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eInput impedance\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e20 kohms\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eOperating voltage for relays and LEDs\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e+12 V\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:3;--wb-r:13;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eOutput impedance\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e75 ohms\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eMains voltage (selectable, see fuse compartment)\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e230 V AC \/ 50 Hz; 115 V AC \/ 60 Hz\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:4;--wb-r:14;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eMaximum input and output gain\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e32.5 dBu\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eFuse for 230 V\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eT 1 A\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:5;--wb-r:15;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eFrequency response (at -3 dB)\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e4 Hz to 300 kHz\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eFuse for 115 V\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eT 2 A\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:6;--wb-r:16;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eCommon mode rejection\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e-75 dBu\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003ePower consumption\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003emax. 40 VA\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:7;--wb-r:17;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eCrosstalk (1 kHz, 0 dBu)\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e-130 dBu\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eDimensions (W x H x D)\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e482 x 88 x 300 mm\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:8;--wb-r:18;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eCrosstalk (1 kHz, 0 dBu, Parallel Mix active)\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e-110 dBu\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eWeight\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e9 kg\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:9;--wb-r:19;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eNoise (A-weighted)\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e-121 dBu\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eShipping weight (with packaging)\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e10.65 kg\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:10;--wb-r:20;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eNoise (A-weighted, Parallel Mix active)\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e-104 dB\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"SPL","offers":[{"title":"Default Title","offer_id":54359607607571,"sku":"361533","price":4990.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/54d58c9c2285ff8d5dcc3165f3d3504be1e2ca20_SPL_HERMES.jpg?v=1794576686"},{"product_id":"spl-dmc-361531","title":"DMC","description":"\u003ch3\u003eThe DMC in the \"Mastering Series\" Spirit: A Console Designed for Decision-Making\u003c\/h3\u003e\u003cp\u003eIn a mastering studio, every link counts, but some links matter more than others: those through which everything passes. The DMC fits precisely within this philosophy. As the nerve center, it brings together playback sources, the digital audio workstation, recorders, and speaker monitoring into a single point. This strategic position imposes a simple requirement: to betray nothing of the signal, to complicate nothing of the workflow.\u003c\/p\u003e\u003cp\u003eThe DMC belongs to a series dedicated to mastering, reflected in a \"studio first\" approach: clear routing logic, installation coherence, and priority given to audio quality. The choice of a 120V operating voltage, common to the series devices, aligns with this performance- and stability-oriented approach, supporting intensive use and long sessions where consistency is paramount.\u003c\/p\u003e\u003ch3\u003eWho the DMC Is For: Mastering Studios, Demanding Mixing, and Hybrid Control Rooms\u003c\/h3\u003e\u003cp\u003eThe DMC is primarily aimed at mastering engineers and studios seeking to structure a control room around a single control point. If your chain includes multiple sources (players, converters), speaker monitoring, and a DAW environment that must remain fluid, the benefit is immediate: reducing handling, securing switches, and maintaining a stable, recallable, and understandable organization.\u003c\/p\u003e\u003cp\u003eIt is also relevant for high-end mixing studios and hybrid setups (analog and digital) where back-and-forth between DAW, converters, and external recording must remain simple. When comparing versions, checking a render, or validating an EQ or dynamics decision, quick access to the right monitoring and sources becomes a factor of creativity as much as precision.\u003c\/p\u003e\u003ch3\u003eFeatures and Benefits in Real-World Use: The Studio Gains Clarity\u003c\/h3\u003e\u003ch4\u003eCentralizing the Audio Chain Without Degrading It\u003c\/h4\u003e\u003cp\u003eMastering demands ruthless listening: tonal balance, micro-dynamics variations, stereo width, and depth perception sometimes hinge on very subtle differences. In this context, the console connecting your converters, players, DAW, recorders, and speakers must not be a simple \"hub,\" but a trusted link. The DMC is presented as this studio heart, exactly where impeccable behavior is expected: stability, coherence, and audio quality that does not call your decisions into question.\u003c\/p\u003e\u003ch4\u003eA Faster Workflow Between Sources, DAW, and Recordings\u003c\/h4\u003e\u003cp\u003eIn practice, the DMC allows structuring the studio around a fixed point: playback sources on one side, the DAW environment in the center, recording and monitoring at the chain's end. This setup reduces reconnections and limits routing errors, especially when switching between multiple players, conversion paths, or different monitoring contexts (validation, comparison, rendering, capture). Result: more time spent listening, less time spent \"following the cable.\"\u003c\/p\u003e\u003ch4\u003eThe 120V Architecture: A Signature of the Mastering Series\u003c\/h4\u003e\u003cp\u003eThe DMC adopts, like other devices in the mastering series, a 120V operating voltage. Without going into unspecified details, the general idea is clear: a power supply designed to support the device's overall performance in an environment where stability and consistency matter as much as sound quality. For a studio, this translates into a feeling of a \"settled\" system, ready to work, and coherent integration when combining multiple elements from the same family.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eU-height\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e2\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:4;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eProduct\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eDMC\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003ePlanned connections in the chain\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003econverters\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:2;--wb-r:5;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eCategory\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003emastering console (connection and control center of the audio chain)\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eOperating voltage\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e120V\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:3;--wb-r:6;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eRole\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eheart of the mastering studio, central point of the chain\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eFamily\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003edevice of the mastering series (same operating voltage as other devices in the series)\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"SPL","offers":[{"title":"Default Title","offer_id":54359805165843,"sku":"361531","price":5590.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/4541ac41870611db38c45b174a8fcb8987cafdf6_SPL_DMC.jpg?v=1794577808"},{"product_id":"cranborne-audio-n22-353078","title":"N22","description":"\u003ch3\u003eA Smart Link in Cranborne Audio's C.A.S.T. Ecosystem\u003c\/h3\u003e\u003cp\u003eThe Cranborne Audio N22 was designed to meet a very practical need in studios and live settings: \u003cstrong\u003etransmitting balanced analog audio over long distances\u003c\/strong\u003e without turning the space into a \"forest\" of multicore cables. Where a traditional setup requires multiple XLR runs (often bulky, heavy, and expensive), the N22 relies on the brand's C.A.S.T. philosophy: using a widely available \u003cstrong\u003eshielded network cable\u003c\/strong\u003e to provide flexible, clean, and cost-effective audio distribution. It naturally integrates with C.A.S.T.-compatible gear (such as certain racks and interfaces in the range) but can also be deployed in pairs with a second N22 to create a simple remote balanced analog audio link.\u003c\/p\u003e\u003ch3\u003eWho Is the Cranborne Audio N22 For and What Are Its Use Cases?\u003c\/h3\u003e\u003cp\u003eThe N22 is aimed at \u003cstrong\u003estudios\u003c\/strong\u003e wanting to connect a recording booth to a control room (or a machine rack) without running multiple analog lines, \u003cstrong\u003elive sound providers\u003c\/strong\u003e who want to connect a console to power amplifiers or a stage rack with lighter cabling, as well as \u003cstrong\u003ehome studio\u003c\/strong\u003e and \u003cstrong\u003ehome theater\u003c\/strong\u003e users seeking a clean solution to position speakers, amplifiers, or audio sources at a distance.\u003c\/p\u003e\u003cp\u003eIts benefits become apparent whenever distances must be covered: corridors, sound stages, technical walls, shared cable routes. By replacing multiple audio runs with a single shielded Cat cable, you gain in \u003cstrong\u003eclarity\u003c\/strong\u003e, \u003cstrong\u003esetup time\u003c\/strong\u003e, and \u003cstrong\u003edaily management\u003c\/strong\u003e, while maintaining transmission suited for balanced audio.\u003c\/p\u003e\u003ch3\u003eHigh-Fidelity Analog Transport Over Cat Cable, Without Power or Compromise\u003c\/h3\u003e\u003ch4\u003eOne Cable for 4 Balanced Channels, Including 48 V Phantom Power\u003c\/h4\u003e\u003cp\u003eThe N22's principle is deliberately simple: \u003cstrong\u003econnect two N22 units\u003c\/strong\u003e with a single shielded Cat 5e, Cat 6, or Cat 7 cable, and you transmit \u003cstrong\u003e4 balanced analog audio channels\u003c\/strong\u003e between two distant points, \u003cstrong\u003eincluding 48 V phantom power\u003c\/strong\u003e. This is a very efficient approach to remotely connect microphones, preamps, console outputs, monitors, or outboard gear without multiplying XLR cable lengths.\u003c\/p\u003e\u003ch4\u003eLess Clutter, Better Organization, Affordable Cabling\u003c\/h4\u003e\u003cp\u003eUsing a shielded Cat cable instead of four XLRs reduces clutter, eases routing through cable trays, and makes setups cleaner. Network cabling is also practical for standardizing an installation: easy-to-find lengths, lighter routing, and the possibility to structure a studio or stage around remote connection points.\u003c\/p\u003e\u003ch4\u003eC.A.S.T. Optimization, Low Crosstalk, and Long Distance\u003c\/h4\u003e\u003cp\u003eEach C.A.S.T. connection on the N22 is designed to preserve signal integrity over \u003cstrong\u003edistances up to 100 m\u003c\/strong\u003e, with \u003cstrong\u003elow crosstalk\u003c\/strong\u003e when using a suitable shielded Cat cable. The N22 also highlights the benefits of \u003cstrong\u003eCat 6 and Cat 7\u003c\/strong\u003e cables: their superior performance is recommended to further reduce crosstalk, especially in busy environments (stages, technical ducts, power racks).\u003c\/p\u003e\u003ch4\u003eA Road-Ready and Fixed Installation-Ready Enclosure\u003c\/h4\u003e\u003cp\u003eDesigned to be handled, moved, screwed down, and reconnected, the N22 features a \u003cstrong\u003erobust metal enclosure\u003c\/strong\u003e and includes practical daily-use details: \u003cstrong\u003emounting holes\u003c\/strong\u003e for permanent installation, \u003cstrong\u003ecable clamp holes\u003c\/strong\u003e for neat cable management, and \u003cstrong\u003enon-slip rubber feet\u003c\/strong\u003e for stability on desks, control rooms, or stages. 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Where multiple machines were once stacked to multiply harmonic signatures, this processor combines a wide range of behaviors in a single rack, from \"mastering\" color to controlled chaos. The \u003cstrong\u003e19-inch rack version\u003c\/strong\u003e stands out from the 500 format by featuring a highly sought-after function in hybrid studios: additional \u003cstrong\u003eEXT inputs\u003c\/strong\u003e allowing injection of a control voltage to \u003cstrong\u003eremotely command Drive and Mix\u003c\/strong\u003e. The result is a natural integration with modular setups, CV interfaces, or creative production chains, while maintaining studio ergonomics and the reliability of a recall-ready device.\u003c\/p\u003e\u003ch3\u003eWho is it for and what are its studio uses?\u003c\/h3\u003e\u003cp\u003eKaracter is designed for sound engineers, beatmakers, producers, and mixing studios seeking an analog color \u003cstrong\u003eadjustable to the millimeter\u003c\/strong\u003e. 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Whereas the standard version receives no modifications, this variant emphasizes components and ergonomics focused on precision, with \u003cstrong\u003edetented steps\u003c\/strong\u003e and stricter component choices. The result is a more \"calibrated\" approach to the Variable Mu, particularly appreciated whenever comparing versions, documenting a setting, or returning exactly to a treatment after client approval.\u003c\/p\u003e\u003ch3\u003eWho this Variable Mu Mastering excels for, and in which applications\u003c\/h3\u003e\u003cp\u003eThis limiter compressor is primarily aimed at mastering engineers, mixers delivering multiple versions (radio edit, instrumental, clean), and any studio wanting to secure their sessions with \u003cstrong\u003eeasy-to-note\u003c\/strong\u003e and recallable settings. The detented steps provide a \"console\" control feel, with more reliable reading of gain, threshold, and level variations. In stereo configuration, this philosophy also helps maintain a more methodical workflow: adjust, compare, revert without approximation, and keep control over subtle movements.\u003c\/p\u003e\u003ch3\u003eFeatures and innovations: Variable Mu in precision mode\u003c\/h3\u003e\u003cp\u003eThe core of this Mastering version is the combination of \u003cstrong\u003ehigh-end switches\u003c\/strong\u003e and \u003cstrong\u003efinely defined adjustment steps\u003c\/strong\u003e. In practice, this changes everything in daily operation: very small corrections can be made, yet perfectly reproducible, without \"searching\" for a position on the potentiometer.\u003c\/p\u003e\u003ch4\u003eDetented steps: deliberate decisions, repeatable settings\u003c\/h4\u003e\u003cp\u003eLevel and dynamics controls are designed to work cleanly within narrow margins, typical of stereo bus and mastering. Output and threshold benefit from fine graduation in \u003cstrong\u003e1\/2 dB increments over 24 steps\u003c\/strong\u003e, promoting precise adjustments and reliable A\/B comparisons. Attack and release offer fixed positions, convenient for framing a compression signature and recalling it from session to session.\u003c\/p\u003e\u003ch4\u003eSelected components: 1 percent metal film resistors and gold-plated Grayhill switches\u003c\/h4\u003e\u003cp\u003eThe 1 percent metal film resistors contribute to better value consistency, and the Grayhill switches with \u003cstrong\u003egold-plated contacts\u003c\/strong\u003e aim for robust long-term switching, with contact quality suited to studio environments. The goal is clear: to offer a \"mastering-ready\" version that prioritizes precision, reliability, and repeatability, without changing the spirit of the Variable Mu.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eNumber of channels\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e2\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eU-height\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e2\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:7;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eModel\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eManley Variable Mu Limiter Compressor\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eThreshold\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003efrom -11 to +1 in 1\/2 dB steps (24 increments)\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:2;--wb-r:8;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eEdition\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eMastering version\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eAttack\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e11 positions\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:3;--wb-r:9;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eDifferences vs. standard version\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003edetented steps, 1 percent metal film resistors, Grayhill switches with gold-plated contacts\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eRelease\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e5 positions\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:4;--wb-r:10;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eManufacturer note\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eManley does not modify the \u0026quot;standard\u0026quot; versions of the Variable Mu\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eResistors\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e1 percent metal film\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:5;--wb-r:11;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eInput\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003efrom -4 to +4 in 2 dB steps\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eSwitches\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eGrayhill\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:6;--wb-r:12;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eOutput\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003efrom -11 to 0 in 1\/2 dB steps (24 increments)\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eContacts\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003egold-plated\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Manley","offers":[{"title":"Default Title","offer_id":54360053973267,"sku":"184894","price":5999.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/f34fa3f0a4af7dcaebf8ae0fb4153816cda258d4_MANLEY_MSLCHPMSTBAR.jpg?v=1794579169"},{"product_id":"spl-passeq-185073","title":"PassEQ","description":"\u003ch3\u003eAn Extreme Vision of Modern Passive Equalization\u003c\/h3\u003e\u003cp\u003eA passive equalizer captivates through its musicality: natural curves, a sense of depth, and a rendering often more \"organic\" than purely active approaches. The Passeq pushes this philosophy further thanks to an exceptional filter density, designed to allow complex curves while maintaining phase coherence and a very smooth perceived response. Where many passive equalizers rely on a few carefully chosen bands, the Passeq offers a massive architecture: \u003cstrong\u003e144 passive filters\u003c\/strong\u003e working together to increase sculpting possibilities without sacrificing the sense of continuity.\u003c\/p\u003e\u003cp\u003eAnother strong commitment: design independence between filters. In practice, this means each section aims for optimal performance with its own component choices, rather than a repeated \"standardized\" approach. This method, more costly and complex, targets a clear goal: to offer a passive equalization capable of being both subtle (micro-adjustments) and ambitious (more refined curves), while remaining clean and stable on demanding sources.\u003c\/p\u003e\u003ch3\u003eIntended Uses and User Profiles\u003c\/h3\u003e\u003cp\u003eThe Passeq is aimed at those who want to exploit the \u003cstrong\u003esonic signature of a passive equalizer\u003c\/strong\u003e in contexts where conversion quality, dynamics, and tuning precision truly matter: high-level recording, detailed mixing, stereo bus, and finishing work. Its natural playground: sources where presence is sought without aggressiveness, air without harshness, and a solid midrange that does not collapse when you start to \"sculpt\".\u003c\/p\u003e\u003cp\u003eThanks to its coils specially designed for the critical midrange domain, it becomes particularly relevant for \u003cstrong\u003evocals\u003c\/strong\u003e (intelligibility, density, projection control), but also for guitars, pianos, overheads, strings, and anything living in the zone where the ear is most sensitive. In mastering or pre-mastering, it can also be used to refine tonal balance without giving the impression of forced processing, provided it is used with the typical passive equalizer method: listen, dose, and let the curve work.\u003c\/p\u003e\u003cbr \/\u003e\u003cbr \/\u003e\u003ch2\u003eTechnical Specifications\u003c\/h2\u003e\u003ch3\u003eEqualization and Architecture\u003c\/h3\u003e\u003cul\u003e\u003cli\u003e144 passive filters in total\u003c\/li\u003e\u003cli\u003e72 filters per channel\u003c\/li\u003e\u003cli\u003eIndependent design and component specifications for each filter\u003c\/li\u003e\u003cli\u003eDedicated coils for each filter with unique cores\u003c\/li\u003e\u003cli\u003eCoils specially designed for the critical midrange domain (vocal frequencies)\u003c\/li\u003e\u003cli\u003eSingle-core coils for better common-mode rejection ratio\u003c\/li\u003e\u003c\/ul\u003e\u003ch3\u003eAmplification Stages\u003c\/h3\u003e\u003cul\u003e\u003cli\u003eAmplifiers powered at 120 Volts\u003c\/li\u003e\u003cli\u003eBased on proprietary SUPRA-OP operational amplifiers\u003c\/li\u003e\u003cli\u003eDynamic range: 150 dB\u003c\/li\u003e\u003cli\u003eSlew rate: 200 Volts\/s\u003c\/li\u003e\u003c\/ul\u003e\u003ch3\u003eTransformers and Connectivity\u003c\/h3\u003e\u003cul\u003e\u003cli\u003eLundahl transformers at input\u003c\/li\u003e\u003cli\u003eLundahl transformers at output\u003c\/li\u003e\u003cli\u003eSwitchcraft XLR connectors\u003c\/li\u003e\u003c\/ul\u003e\u003ch3\u003eControls and Components\u003c\/h3\u003e\u003cul\u003e\u003cli\u003eElma switches\u003c\/li\u003e\u003cli\u003eALPS potentiometers\u003c\/li\u003e\u003c\/ul\u003e\u003ch3\u003ePower Supply\u003c\/h3\u003e\u003cul\u003e\u003cli\u003eOversized internal linear toroidal power supply\u003c\/li\u003e\u003cli\u003eVoltage source selection: 110-120 Volts\u0026#59; 60 Hz or 220-240 Volts\u0026#59; 50 Hz\u003c\/li\u003e\u003c\/ul\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eNumber of channels\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e2\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eU-height\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e4\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"SPL","offers":[{"title":"Default Title","offer_id":54360232460563,"sku":"185073","price":3990.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/bc3b0e20fcc282cfe91f23cd8d90fbe8466c0580_SPL_SPLPASSEQ.jpg?v=1794579106"},{"product_id":"behringer-su9920-sonic-ultramizer-30965","title":"SU9920 Sonic Ultramizer","description":"\u003ch3\u003eA beautification processor designed to enhance your sources and mix\u003c\/h3\u003e\u003cp\u003eThe BEHRINGER \u003cstrong\u003eSONIC ULTRAMIZER SU9920\u003c\/strong\u003e belongs to the family of sound enhancement processors designed to provide that \"extra\" which is difficult to achieve with traditional equalization alone. Its approach combines brightness enhancement through harmonization and increased bass perception via phase work. The result: a more open, lively mix sensation, with a low end that gains solidity without having to start over with your settings.\u003c\/p\u003e\u003cp\u003eIn a modern setup (home production, online streaming, DJ sets, hi-fi listening), the SU9920 serves as a practical tool when you want to quickly add an extra dimension to a stereo signal, whether on a bus, a source, or a playback chain.\u003c\/p\u003e\u003ch3\u003eWho is the SU9920 for and what are its uses?\u003c\/h3\u003e\u003cp\u003eThe SU9920 is aimed at anyone seeking an audible improvement \u003cstrong\u003ewithout complexity\u003c\/strong\u003e. In the \u003cstrong\u003ehome studio\u003c\/strong\u003e, it can help reveal details in a dull mix, restore air to a dense production, or provide a more immediate sense of clarity during listening. For \u003cstrong\u003eDJs\u003c\/strong\u003e, it is a simple solution to enhance the perceived punch and brightness on a sound system, especially when the musical program varies greatly from track to track.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eKeyboardists\u003c\/strong\u003e and rack musicians will also find an ally to highlight the attack and presence of synth sounds, electric pianos, or stems, while content creators and \u003cstrong\u003ewebcasting\u003c\/strong\u003e professionals will appreciate the added definition that can make a broadcast sound more \"pro\" and intelligible. Finally, on the \u003cstrong\u003ehi-fi\u003c\/strong\u003e side, the device targets those who enjoy optimizing the sense of breadth and depth, both in stereo and \u003cstrong\u003e5.1 surround\u003c\/strong\u003e installations.\u003c\/p\u003e\u003ch3\u003eSound processing: harmonic brightness and enhanced bass\u003c\/h3\u003e\u003cp\u003eThe SU9920 acts as a stereo exciter\/enhancer: it enhances the \u003cstrong\u003esignal clarity\u003c\/strong\u003e by emphasizing natural brightness through \u003cstrong\u003eharmonic processing\u003c\/strong\u003e. Unlike a simple treble boost, the idea is to add perceived presence and definition while maintaining pleasant musicality, especially on sources lacking depth.\u003c\/p\u003e\u003ch4\u003eBass: more impact thanks to phase compensation\u003c\/h4\u003e\u003cp\u003eThe low-frequency section of the SU9920 does not just \"inflate\" the bass: it relies on \u003cstrong\u003ephase compensation\u003c\/strong\u003e to accentuate the sensation of power and depth. This is particularly useful when a mix sounds thin or when the low end lacks authority on certain playback systems. The goal remains to achieve bass that is more present but also clearer, with a more convincing foundation.\u003c\/p\u003e\u003ch4\u003eDedicated controls for immediate results\u003c\/h4\u003e\u003cp\u003eTo get straight to the point, the low-frequency processing section features dedicated \u003cstrong\u003eLow Contour\u003c\/strong\u003e and \u003cstrong\u003eProcess\u003c\/strong\u003e controls. This \"quick adjustment\" philosophy is ideal in real-world situations: you adjust the intensity of the enhancement without going through a complex chain of plugins, and you tailor the sound to the musical style, listening system, and desired level of intervention.\u003c\/p\u003e\u003cp\u003eWhether you seek subtle optimization (just the right amount of openness and firmness) or a more pronounced effect for a more spectacular result, the SU9920 encourages exploration: it invites you to test, compare, and find that balance point where the music gains dimension while remaining natural.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eNumber of channels\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e2\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eU-height\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e1\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Behringer","offers":[{"title":"Default Title","offer_id":54360427299091,"sku":"30965","price":61.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/88aacc327be5c73afcd1c64ab87404e8b3946c2e_BEHRINGER_SU_9020_9920.jpg?v=1794580496"},{"product_id":"cranborne-audio-n8-407211","title":"N8","description":"\u003ch3\u003eThe N8: The \"distribution\" link at the heart of the C.A.S.T. ecosystem\u003c\/h3\u003e\u003cp\u003eDesigned as a \u003cstrong\u003edistribution hub\u003c\/strong\u003e, the Cranborne Audio N8 fits into a modern studio approach aiming to \u003cstrong\u003ereduce cabling\u003c\/strong\u003e while maintaining analog signal flow that is simple to understand and quick to modify. The C.A.S.T. (Cranborne Audio Analog Signal Transport) principle involves using a standard network cable (Cat 5e, Cat 6, or Cat 7) as a \"highway\" to transport \u003cstrong\u003emultichannel analog signals\u003c\/strong\u003e. Within this range, the N8 occupies a very practical position: it serves as a \u003cstrong\u003econcentration point\u003c\/strong\u003e for your RJ45 C.A.S.T. connections and redistributes them in DB25 format, a widely used studio standard for grouping channels and streamlining the back of a rack.\u003c\/p\u003e\u003cp\u003eIn other words, while some C.A.S.T. modules bring inputs or outputs to strategic locations, the N8 acts as a \u003cstrong\u003esplitter\u003c\/strong\u003e: it facilitates distribution, grouping, and organization of analog flows between different areas (control room, rack, booth, stage, live room), all while remaining consistent with the compatible device ecosystem.\u003c\/p\u003e\u003ch3\u003eFor which studios and uses?\u003c\/h3\u003e\u003cp\u003eThe N8 is aimed at demanding home studios as well as professional studios seeking a \u003cstrong\u003ecleaner, more scalable\u003c\/strong\u003e, and faster-to-reconfigure installation. If you have experienced thick, hard-to-route analog bundles, you will appreciate the C.A.S.T. approach: a network cable, easy to find and route through a cable duct, can replace multiple individual analog connections to link distant points.\u003c\/p\u003e\u003cp\u003eIn practice, the N8 is particularly relevant for:\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003e1) Centralizing connections between multiple spaces\u003c\/strong\u003e\u003cbr \/\u003eConnect a vocal booth, live room, control room, and preamp rack without multiplying multicore cables: the hub becomes a central point where channels are redistributed in DB25 format.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003e2) Structuring a hybrid rack (interfaces, preamps, patchbay)\u003c\/strong\u003e\u003cbr \/\u003eWith its \u003cstrong\u003e8 inputs and 8 outputs\u003c\/strong\u003e on DB25, the N8 naturally integrates into a \"Tascam-style\" wired studio environment, keeping the back of the rack tidy and reducing connection errors.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003e3) Deploying a mobile or modular setup\u003c\/strong\u003e\u003cbr \/\u003eWhether for a stage, recording session, or a constantly evolving studio, a passive splitter helps maintain a robust system that is quick to set up again without relying on a complex network configuration: here, we are indeed talking about \u003cstrong\u003eanalog signal transport\u003c\/strong\u003e over Cat cables, designed for audio.\u003c\/p\u003e\u003ch3\u003eOperation and connectivity: analog audio over Cat, without complications\u003c\/h3\u003e\u003cp\u003eThe Cranborne Audio N8 is a \u003cstrong\u003epassive splitter\u003c\/strong\u003e for audio signals via Cat cable. This means it is designed for \u003cstrong\u003edistribution\u003c\/strong\u003e and signal organization, without functioning as an audio interface or converter: it integrates into your existing chain, staying true to a \"studio\" philosophy where you clearly control \u003cstrong\u003ewhat goes in\u003c\/strong\u003e and \u003cstrong\u003ewhat comes out\u003c\/strong\u003e.\u003c\/p\u003e\u003ch4\u003eC.A.S.T.: 4 analog channels per RJ45 connection\u003c\/h4\u003e\u003cp\u003eThe N8 uses the C.A.S.T. standard to transform a network cable (Cat 5e, Cat 6, or Cat 7) into a 4-channel analog audio transport. With its \u003cstrong\u003e4 RJ45 inputs\u003c\/strong\u003e, you can converge multiple C.A.S.T. links to a single point, then use the channels in DB25 format on the rack side. This logic is ideal for neatly \"pulling\" audio between different rooms without stacking lengths of individual analog cables.\u003c\/p\u003e\u003ch4\u003eDB25 (Tascam): simple integration into racks and patchbays\u003c\/h4\u003e\u003cp\u003eThe choice of \u003cstrong\u003eDB25 connectors in the Tascam standard\u003c\/strong\u003e is a real advantage for integration: it is a common format for grouping channels and working cleanly with DB25 to XLR or jack looms, patchbays, consoles, or rack I\/O systems. The N8 offers \u003cstrong\u003e8 inputs\u003c\/strong\u003e and \u003cstrong\u003e8 outputs\u003c\/strong\u003e on DB25, making it a particularly coherent distribution tool as soon as your studio exceeds a few connections and requires rigorous organization.\u003c\/p\u003e\u003ch4\u003eCompatibility: a hub designed for the brand's C.A.S.T. devices\u003c\/h4\u003e\u003cp\u003eThe N8 is compatible with Cranborne Audio devices capable of C.A.S.T., including \u003cstrong\u003eN22\u003c\/strong\u003e, \u003cstrong\u003eN22H\u003c\/strong\u003e, \u003cstrong\u003eCamden EC1\u003c\/strong\u003e, and \u003cstrong\u003eCamden EC2\u003c\/strong\u003e. This compatibility allows you to extend an existing setup, create remote analog access points, or rationalize channel distribution according to your studio configuration (recording, re-amping, inserts, headphone returns, creative routing, etc.), all while maintaining a coherent workflow.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eNumber of channels\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e16\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:3;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eSignal transport via network cable\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eCat 5e, Cat 6, or Cat 7\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eFunction\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003epassive splitter for audio signals via Cat\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:2;--wb-r:4;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eNumber of channels per RJ45 link\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e4 analog channels\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eCompatible with Cranborne Audio C.A.S.T.-capable devices, including\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eN22, N22H, Camden EC1, Camden EC2\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Cranborne Audio","offers":[{"title":"Default Title","offer_id":54360429297939,"sku":"407211","price":172.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/1c577f635e39026f9db93e6f3185ac957eae6c36_CRANBORNE_N8.jpg?v=1794580481"},{"product_id":"ld-systems-ld-x-223-filtre-actif-196364","title":"LD X 223 - ACTIVE FILTER","description":"\u003ch3\u003eAn Active Filter in Rack Format Designed for Classic Sound Reinforcement Setups\u003c\/h3\u003e \n\u003cp\u003eThe \u003cstrong\u003eLD Systems X223\u003c\/strong\u003e is an \u003cstrong\u003eanalog crossover\u003c\/strong\u003e designed to provide reliable frequency splitting between your amplifiers and speakers. Its \u003cstrong\u003estandard 19-inch 1U rack\u003c\/strong\u003e format facilitates integration into a flight case or technical rack, whether for live events, fixed installations, or FOH. The build quality, integrated power supply, and solid controls make it a particularly reassuring tool for regular use.\u003c\/p\u003e \n\n\u003ch3\u003eWho Is It For and What Are Its Uses?\u003c\/h3\u003e \n\u003cp\u003eThis \u003cstrong\u003eactive filter\u003c\/strong\u003e is aimed at users who want to optimize a sound system by cleanly separating frequency bands: mobile DJs, sound providers, bands, equipped rehearsal rooms, small stages, places of worship, or installations with power amplifiers. In \u003cstrong\u003e2-way stereo\u003c\/strong\u003e, it efficiently manages a satellite + sub system (with a mono sub output). In \u003cstrong\u003e3-way mono\u003c\/strong\u003e, it becomes a relevant solution to separately feed lows, mids, and highs in a more structured configuration.\u003c\/p\u003e \n\n\u003ch3\u003eAudio Settings and Essential Functions for Quick Setup\u003c\/h3\u003e \n\u003cp\u003eThe X223 emphasizes direct handling and useful adjustments in real conditions. You have a \u003cstrong\u003ecrossover frequency adjustment per channel\u003c\/strong\u003e to tailor the cutoff point to your speakers and the room acoustics, as well as \u003cstrong\u003einput gains\u003c\/strong\u003e and \u003cstrong\u003eLF\/HF gains\u003c\/strong\u003e to balance amplifier and channel levels. The \u003cstrong\u003epolarity inversion buttons\u003c\/strong\u003e help quickly resolve phase issues when aligning sub\/top or between channels.\u003c\/p\u003e \n\n\u003ch4\u003eLinkwitz-Riley 24 dB\/octave Filtering\u003c\/h4\u003e \n\u003cp\u003eThe X223 uses a \u003cstrong\u003eLinkwitz-Riley\u003c\/strong\u003e filter at \u003cstrong\u003e24 dB\/octave\u003c\/strong\u003e, a standard appreciated in sound reinforcement for achieving coherent summation at the crossover point and clear separation between channels. This type of filtering helps improve clarity, bass control, and overall system definition, provided levels are well adjusted and speakers are properly placed.\u003c\/p\u003e \n\n\u003ch4\u003eSwitchable 40 Hz High-Pass Filter\u003c\/h4\u003e \n\u003cp\u003eThe \u003cstrong\u003eswitchable 40 Hz high-pass filters\u003c\/strong\u003e limit very low-frequency energy, often unnecessary or even problematic depending on the speakers, room, or music style. This is a practical feature to gain headroom, protect the system, and achieve tighter bass.\u003c\/p\u003e \n\n\u003ch4\u003eBalanced XLR Connectivity\u003c\/h4\u003e \n\u003cp\u003eThe \u003cstrong\u003ebalanced inputs\/outputs\u003c\/strong\u003e on \u003cstrong\u003eXLR\u003c\/strong\u003e ensure clean integration with mixers, processors, and amplifiers in stage or installation environments, with better resistance to interference over long cable runs. 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style=\"text-align:left\"\u003e\u003cstrong\u003eWeight\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e2.6 kg\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:8;--wb-r:16;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eTHD+Noise\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ebelow 0.004% at 4 dBu, 1 kHz\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"LD Systems","offers":[{"title":"Default Title","offer_id":54360433754387,"sku":"196364","price":149.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/5bb64366d6efbfe780c725931de2f7d172bc60ab_LD_SYSTEMS_LDX223.jpg?v=1794580636"},{"product_id":"dangerous-music-dm06-master-183110","title":"DM06 Master","description":"\u003ch3\u003eFrom Custom \"In-House\" Tools of Major Studios to a Rack-Ready Dangerous Solution\u003c\/h3\u003e \u003cbr \/\u003e\u003cp\u003eFor years, mastering studios and top engineers relied on custom solutions designed to speed up work, ensure reliable routing, and maintain full control over stereo. With the \u003cstrong\u003eDangerous Master\u003c\/strong\u003e, Dangerous Music condenses the essence of these \"in-house\" setups into a unit designed to become the heart of a modern mastering system, without compromise on ergonomics or precision.\u003c\/p\u003e \u003cbr \/\u003e\u003cp\u003eDesigned by \u003cstrong\u003eChris Muth\u003c\/strong\u003e, creator of equipment used by numerous mastering engineers and studios in New York, the Dangerous Master embodies the brand's DNA: a device made \u003cstrong\u003eby engineers for engineers\u003c\/strong\u003e, hand-assembled with premium components, and optimized for real studio situations where every decision must be fast, repeatable, and audible.\u003c\/p\u003e \u003cbr \/\u003e\u003cbr \/\u003e\u003ch3\u003eA Controller Designed for Mastering, Post-Production, and Hybrid Studios\u003c\/h3\u003e \u003cbr \/\u003e\u003cp\u003eThe \u003cstrong\u003eDangerous Master\u003c\/strong\u003e primarily targets mastering engineers working with high-end external processors who want a clear, structured, and precisely controllable chain. It is also perfectly suited for mixing studios that master in-house, as well as hybrid environments alternating between analog processing and DAW workflows.\u003c\/p\u003e \u003cbr \/\u003e\u003cp\u003eIts role is simple and crucial: it becomes the junction point between your processing (EQ, compression, de-essing) and your monitoring, providing tools for \u003cstrong\u003elevel control\u003c\/strong\u003e, \u003cstrong\u003ecomparison\u003c\/strong\u003e, and \u003cstrong\u003estereo image management\u003c\/strong\u003e that are often missing when chaining devices \"in series\" without a true mastering console.\u003c\/p\u003e \u003cbr \/\u003e\u003cbr \/\u003e\u003ch3\u003eKey Features: Routing, M\/S, Level Offset, and Stereo Image Control\u003c\/h3\u003e \u003cbr \/\u003e\u003cbr \/\u003e\u003ch4\u003eListening Offset: Compare Without Being Fooled by Level\u003c\/h4\u003e \u003cbr \/\u003e\u003cp\u003eThe \u003cstrong\u003einput listening offset\u003c\/strong\u003e helps you stay focused on what matters: what your processing adds to the program. In practice, you can evaluate your master bus and processed signal without being disturbed by a before\/after level difference, a common bias in mastering. The result: more reliable decisions on EQ, compression, and de-essing, and faster back-and-forth.\u003c\/p\u003e \u003cbr \/\u003e\u003cbr \/\u003e\u003ch4\u003eMatrix S\u0026amp;M: Fine and Musical M\/S (Sum \u0026amp; Difference) Control\u003c\/h4\u003e \u003cbr \/\u003e\u003cp\u003eThe \u003cstrong\u003eMatrix S\u0026amp;M\u003c\/strong\u003e is an analog sum and difference processor designed to offer advanced control of stereo signals. This approach allows working on the center and side components with precision that opens real options for \"repair\" and optimization in mastering.\u003c\/p\u003e \u003cbr \/\u003e\u003cp\u003eSpecifically, mastering engineers will appreciate the ability to \u003cstrong\u003erework difficult passages\u003c\/strong\u003e by adjusting certain perceived balances (for example, vocals) without altering the overall mix intent, to \u003cstrong\u003ecorrect a stereo image that is too wide or too narrow\u003c\/strong\u003e, or to \u003cstrong\u003ede-ess\u003c\/strong\u003e aggressive elements (such as cymbal attacks) while keeping the center of the mix unchanged. It is a control tool, not an effect: it aims for precision and consistency in the master.\u003c\/p\u003e \u003cbr \/\u003e\u003cbr \/\u003e\u003ch4\u003eInsertion Loops, Listening, and Blending: An External Chain Finally \"Console-Ready\"\u003c\/h4\u003e \u003cbr \/\u003e\u003cp\u003eThe Dangerous Master provides \u003cstrong\u003einsertion loops\u003c\/strong\u003e and listening functions designed to neatly organize an analog mastering chain. It facilitates linking your various processors while offering \u003cstrong\u003eprecise level control\u003c\/strong\u003e, useful listening options, \u003cstrong\u003eblending\u003c\/strong\u003e functions, and \u003cstrong\u003estereo image width control\u003c\/strong\u003e. Paired with a monitoring controller from the brand and your favorite processing gear, it enables more efficient transformation of a mix into a finished master.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eU-height\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e2\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:4;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eRack format\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e2 units\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eDesign\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eChris Muth\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:2;--wb-r:5;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eRole\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003econtrol center for mastering systems with external processors (equalizers, compressors, de-essers)\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003ePhilosophy\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003edesigned by engineers for engineers\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:3;--wb-r:6;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eMatrix S\u0026amp;M\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eanalog Sum \u0026amp; Difference (M\/S) processor for stereo signal control\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eManufacturing\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ehand-assembled with high-quality components\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Dangerous Music","offers":[{"title":"Default Title","offer_id":54360447189267,"sku":"183110","price":6982.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/2ee9f09e73bfe611ab017e86d9d746d3950bf370_DANGEROUSMUSIC_DM06.jpg?v=1794580601"},{"product_id":"dbx-223xs-145574","title":"223XS","description":"\u003ch3\u003eA 1U Rack Crossover Designed for Modern Sound Reinforcement\u003c\/h3\u003e\u003cp\u003eThe 223xs is a stereo active crossover designed to meet the demands of a professional sound processor while remaining easy to integrate into a rack. Its \u003cstrong\u003e1U\u003c\/strong\u003e format makes it a natural choice for fixed installations, touring racks, mobile sound systems, and DJ\/sound setups that require reliable frequency band separation. The principle is clear: optimize multi-way speaker behavior by assigning each driver the frequency range it reproduces best, to gain in \u003cstrong\u003eintelligibility\u003c\/strong\u003e, \u003cstrong\u003epower handling\u003c\/strong\u003e, and \u003cstrong\u003ebass clarity\u003c\/strong\u003e.\u003c\/p\u003e\u003ch3\u003eWho Is It For and What Is It Used For?\u003c\/h3\u003e\u003cp\u003eThis active crossover is aimed at users who want to get the best out of a multi-way speaker system: sound providers, musicians equipped with sound systems, DJs, rehearsal rooms, houses of worship, bars with live music, or small stages. In \u003cstrong\u003e2-way stereo\u003c\/strong\u003e, you can, for example, split the signal between tops (highs\/mids) and subwoofers. In \u003cstrong\u003e3-way mono\u003c\/strong\u003e, it becomes possible to separately control bass, midrange, and treble, which suits more elaborate systems. In all cases, the \u003cstrong\u003ebalanced XLR\u003c\/strong\u003e connectors facilitate integration into a professional audio chain and reduce noise on long cable runs.\u003c\/p\u003e\u003ch3\u003eKey Features: Control, Precision, and Easy Integration\u003c\/h3\u003e\u003ch4\u003eLinkwitz-Riley 24 dB per Octave Filters: Clean Channel Separation\u003c\/h4\u003e\u003cp\u003eThe 223xs uses \u003cstrong\u003eLinkwitz-Riley\u003c\/strong\u003e filters at \u003cstrong\u003e24 dB per octave\u003c\/strong\u003e, a topology recognized in sound reinforcement for achieving an effective transition between bands, with coherent summation when channels are properly adjusted. Result: cleaner crossover, better controlled bass, and improved definition, particularly useful when pushing the system to high levels.\u003c\/p\u003e\u003ch4\u003ePer-Output Adjustments: Fine-Tune Your System to the Millimeter\u003c\/h4\u003e\u003cp\u003eEach channel features an \u003cstrong\u003eindividual level control\u003c\/strong\u003e to balance your system according to speaker efficiency, room acoustics, or placement. \u003cstrong\u003ePhase inversion\u003c\/strong\u003e on all outputs provides a simple and effective tool to correct acoustic addition\/subtraction issues (notably at the sub\/top crossover), or to adapt to certain wiring and upstream processing.\u003c\/p\u003e\u003ch4\u003e40 Hz High-Pass and Bass Summation: Easier Subwoofer Feeding\u003c\/h4\u003e\u003cp\u003eThe \u003cstrong\u003e40 Hz\u003c\/strong\u003e high-pass filter limits unnecessary excursion in the infrasonic range and protects your system from frequencies too low for certain configurations. The \u003cstrong\u003eLF summation\u003c\/strong\u003e circuit offers a dedicated mono bass output, convenient for a subwoofer: you combine bass energy without multiplying processing, while maintaining a clear and efficient architecture.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eNumber of channels\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e2\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eU-height\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e1\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:10;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eMode\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e2-way stereo or 3-way mono\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eMaximum output level\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e+20 dBu (600 ohms)\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:2;--wb-r:11;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eFilters\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eLinkwitz-Riley 24 dB per octave\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eFrequency response\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e20 Hz to 20 kHz, +0 \/ -0.5 dB\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:3;--wb-r:12;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eHigh-pass filter\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e40 Hz\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eDistortion + noise\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eless than 0.004 % at +4 dBu, 1 kHz\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:4;--wb-r:13;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003ePhase inversion\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eon all outputs\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eSignal-to-noise ratio (reference\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e+4 dBu, 22 kHz): stereo, greater than 94 dB (LF), greater than 91 dB (HF)\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:5;--wb-r:14;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eLevel control\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eindividual on outputs\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eDynamic range\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003egreater than 106 dB\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:6;--wb-r:15;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eMono summable bass outputs\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003efor subwoofer (LF summation)\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eCrosstalk\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eless than -80 dB, 20 Hz to 20 kHz\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:7;--wb-r:16;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eInputs\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e2 inputs on XLR connector (balanced)\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eRack units\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e1U\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:8;--wb-r:17;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eOutputs\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eXLR connector (balanced)\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e486 x 175 x 45 mm\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:9;--wb-r:18;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eMaximum input level\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e+22 dBu\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eWeight\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e1.7 kg\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"DBX","offers":[{"title":"Default Title","offer_id":54360532844819,"sku":"145574","price":198.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/e8b9d43ef4c377f3210728629b6d82270029b463_DBX_223XS.jpg?v=1794580493"},{"product_id":"spl-pq-361541","title":"PQ","description":"\u003ch3\u003eA \"King of Parametric Equalizers\" at the Heart of the Premium 120V Range\u003c\/h3\u003e\u003cp\u003eThe SPL PQ follows the lineage of SPL devices built around the 120V philosophy, developed in the 1990s by Wolfgang Neumann, aiming to achieve technical performance and sonic ease difficult to obtain with more traditional topologies. This approach was initially designed for high-end mastering applications and has since become the foundation of the brand's premium products. In this spirit, the PQ has earned a reputation as a reference parametric equalizer: extensive control, wide dynamic range, and a sound that remains \"open\" even when finely sculpting the spectrum.\u003c\/p\u003e\u003ch3\u003eAn Equalizer Designed for Mastering, Mixbus, and Demanding Recordings\u003c\/h3\u003e\u003cp\u003eThe PQ is designed for those who want \u003cstrong\u003ehighly controlled\u003c\/strong\u003e equalization on a stereo bus, mastering chain, stems, or even two independent mono sources. Its control logic (screens, per-band activation buttons, Q modes) encourages methodical work: compare, recall, adjust by tenths, without losing track. In the studio, it excels both at \u003cstrong\u003ecorrecting a resonance\u003c\/strong\u003e and \u003cstrong\u003eshaping a broad and coherent curve\u003c\/strong\u003e, with gain behavior that remains usable and musical.\u003c\/p\u003e\u003ch3\u003eKey Features: Precision, Musicality, and Comparison Workflow\u003c\/h3\u003e\u003ch4\u003e2 x 5 Parametric Bands with Intelligent Overlap\u003c\/h4\u003e\u003cp\u003eEach channel has five fully parametric bands (LF, LMF, MF, MHF, HF). SPL intentionally designed a \u003cstrong\u003ewide frequency overlap\u003c\/strong\u003e to allow treating a problematic area with two bands if necessary, or to distribute shaping more smoothly. The ranges are: LF 10 Hz - 330 Hz, LMF 33 Hz - 1 kHz, MF 128 Hz - 4.1 kHz, MHF 310 Hz - 10.2 kHz, HF 760 Hz - 24 kHz.\u003c\/p\u003e\u003ch4\u003eGain up to +\/-20 dB, with \"micro-adjustment\" mode\u003c\/h4\u003e\u003cp\u003eEach band offers Cut\/Boost up to \u003cstrong\u003e+\/-20 dB\u003c\/strong\u003e, useful for both targeted corrections and deliberate tonal choices. When only small adjustments are needed, the \u003cstrong\u003e1\/4 Gain\u003c\/strong\u003e switch reduces the range to \u003cstrong\u003e+\/-5 dB\u003c\/strong\u003e: a real asset for working quickly, avoiding overly large gestures, and staying within a mastering mindset.\u003c\/p\u003e\u003ch4\u003eConstant Q or Proportional Q: Two EQs in One\u003c\/h4\u003e\u003cp\u003eThe blue button toggles the Q behavior. In \u003cstrong\u003eConstant Q\u003c\/strong\u003e, amplitude remains stable regardless of bandwidth: this is the preferred mode for attenuating a problematic frequency with very predictable control. In \u003cstrong\u003eProportional Q\u003c\/strong\u003e, amplitude depends on bandwidth: the wider the band, the lower the maximum gain (up to about +\/-2.8 dB at maximum width, and up to +\/-20 dB at minimum width). This behavior helps achieve creative and sensitive equalizations, as large moves on wide curves naturally become more measured.\u003c\/p\u003e\u003ch4\u003ePer-Band Activation, Stereo Link, and True Dual-Mono\u003c\/h4\u003e\u003cp\u003eEach band can be activated or deactivated via the orange button, facilitating comparisons and progressive curve building. The PQ is a \u003cstrong\u003etrue dual mono\u003c\/strong\u003e: you can process two independent mono sources or a stereo left\/right program. In \u003cstrong\u003eLink\u003c\/strong\u003e mode, the On\/Off controls for bands and the Constant\/Proportional Q selection are linked between channels to speed up stereo work while maintaining the \"mastering\" philosophy of control and coherence.\u003c\/p\u003e\u003ch4\u003eAuto Bypass: Compare Without Leaving the Sweet Spot\u003c\/h4\u003e\u003cp\u003eFor objective evaluation, the PQ offers an \u003cstrong\u003eAuto Bypass\u003c\/strong\u003e: instead of manually switching between original and processed signals, the system automatically alternates at an adjustable interval. This allows you to stay centered at the listening position, better judge the real impact of the EQ, and avoid biases related to handling or slight movements during critical listening.\u003c\/p\u003e\u003ch4\u003e120V Technology: Headroom, Silence, and a Sense of \"Relaxation\"\u003c\/h4\u003e\u003cp\u003e120V technology uses an internal voltage of \u003cstrong\u003e+\/-60 V\u003c\/strong\u003e and proprietary \u003cstrong\u003eSUPRA\u003c\/strong\u003e operational amplifiers designed to support this architecture. The result targets both measurable performance (dynamic range, signal-to-noise ratio, headroom) and the listening experience: more detail, a more stable image, and equalization that holds up even when stacking multiple corrective actions.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eNumber of channels\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e2\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eU-height\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e4\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:18;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eType\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003emastering parametric equalizer, 2 channels, dual mono\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eInput impedance\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e20 kilo-ohms\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:2;--wb-r:19;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eNumber of bands\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e2 x 5 parametric bands (LF, LMF, MF, MHF, HF)\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eOutput impedance\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e75 ohms\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:3;--wb-r:20;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eQ modes\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eConstant Q \/ Proportional Q (switchable)\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eCommon mode rejection\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e-82 dBu\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:4;--wb-r:21;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eActivation\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eOn\/Off per band, On\/Off per channel\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eBandwidth (-3 dB)\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e10 Hz - 100 kHz\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:5;--wb-r:22;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eRecall\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003edetented potentiometers with 41 steps\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eTHD + N (+30 dBu, 1 kHz)\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e0.0005%\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:6;--wb-r:23;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eGain per band\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eCut\/Boost up to +\/-20 dB\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eNoise (A-weighted)\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e-94.3 dBu\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:7;--wb-r:24;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003e1\/4 Gain mode\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ereduced range from +\/-20 dB to +\/-5 dB\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eDynamic range\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e135 dB\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:8;--wb-r:25;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eAuto Bypass\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eyes, adjustable interval\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eAnalog audio operating voltage\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e+\/- 60 V\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:9;--wb-r:26;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eLink\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003elinking of LF, LMF, MF, MHF, HF On\/Off and Constant Q \/ Proportional Q functions between channels\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eRelay and LED operating voltage\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e+12 V\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:10;--wb-r:27;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eLF\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e10 Hz - 330 Hz\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eMains voltage (selectable, see fuse compartment)\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e230 V AC \/ 50 Hz; 115 V AC \/ 60 Hz\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:11;--wb-r:28;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eLMF\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e33 Hz - 1 kHz\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eFuse for 230 V\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eT 3.15 A\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:12;--wb-r:29;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eMF\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e128 Hz - 4.1 kHz\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eFuse for 115 V\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eT 6.3 A\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:13;--wb-r:30;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eMHF\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e310 Hz - 10.2 kHz\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003ePower consumption\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003emax. 100 VA\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:14;--wb-r:31;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eHF\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e760 Hz - 24 kHz\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eDimensions (W x H x D)\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e482 x 177 x 300 mm\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:15;--wb-r:32;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eAnalog inputs\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ebalanced XLR\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eUnit weight\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e15.2 kg\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:16;--wb-r:33;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eAnalog outputs\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ebalanced XLR\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eWeight with packaging\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e17.8 kg\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:17;--wb-r:34;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eMaximum input and output gain\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e32.5 dBu\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"SPL","offers":[{"title":"Default Title","offer_id":54360605622547,"sku":"361541","price":5999.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/a2163fe3e938a5a3e3cd2f8e2ba20465e03932fd_SPL_PQ.jpg?v=1794580751"},{"product_id":"dbx-640m-processeur-zone-pro-6-in-4-out-avec-cran-337572","title":"640M","description":"\u003ch3\u003eZonePRO: an \"installation\" approach designed for multi-source distribution\u003c\/h3\u003e\u003cp\u003eThe \u003cstrong\u003eZonePRO\u003c\/strong\u003e series was designed to meet the demands of \u003cstrong\u003efixed installations\u003c\/strong\u003e: reliability, repeatability of settings, and management of multiple sources to multiple zones. This \u003cstrong\u003e6 x 4\u003c\/strong\u003e model with display fits this logic by combining, in a \u003cstrong\u003e1U\u003c\/strong\u003e chassis, digital conversion and full DSP processing to ensure coherent and protected sound distribution day after day.\u003c\/p\u003e\u003ch3\u003eWho is this ZonePRO 6 x 4 for, and when to use it?\u003c\/h3\u003e\u003cp\u003eThis processor is particularly suited for environments such as \u003cstrong\u003erestaurants\u003c\/strong\u003e, \u003cstrong\u003ebars\u003c\/strong\u003e, \u003cstrong\u003econference centers\u003c\/strong\u003e, \u003cstrong\u003eperformance halls\u003c\/strong\u003e, and \u003cstrong\u003enightclubs\u003c\/strong\u003e, where multiple sources (background music, player, computer, microphone(s), control room) must be managed and different zones or distribution lines fed. The \u003cstrong\u003ebalanced mic\/line inputs\u003c\/strong\u003e on Euroblock facilitate clean integration in technical racks, while the \u003cstrong\u003eRCA inputs\u003c\/strong\u003e allow easy connection of consumer stereo sources.\u003c\/p\u003e\u003ch3\u003eDSP processing, protections, and control: essentials for controlled sound distribution\u003c\/h3\u003e\u003ch4\u003eProcessing for quality and intelligibility\u003c\/h4\u003e\u003cp\u003eOnce analog signals are converted to digital, the internal DSP takes over to apply necessary processing for the installation: \u003cstrong\u003emixing\u003c\/strong\u003e, \u003cstrong\u003eparametric equalizer\u003c\/strong\u003e, \u003cstrong\u003ecrossover\u003c\/strong\u003e, \u003cstrong\u003ehigh-pass\u003c\/strong\u003e and \u003cstrong\u003elow-pass filters\u003c\/strong\u003e, as well as \u003cstrong\u003enotch filter\u003c\/strong\u003e. The goal is to shape the signal according to the speakers, the room, and the usage (voice, background music, more energetic playback).\u003c\/p\u003e\u003ch4\u003eControl and protection tools\u003c\/h4\u003e\u003cp\u003eTo stabilize the sound distribution and protect the system, the ZonePRO integrates a range of field-oriented processing: \u003cstrong\u003ecompressor\u003c\/strong\u003e, \u003cstrong\u003elimiter\u003c\/strong\u003e, \u003cstrong\u003enoise gate\u003c\/strong\u003e, \u003cstrong\u003eautomatic gain control\u003c\/strong\u003e, and \u003cstrong\u003efeedback eliminator\u003c\/strong\u003e. These functions help maintain a consistent level, contain peaks, and limit microphone feedback risks, while keeping a comfortable listening experience for the audience.\u003c\/p\u003e\u003ch4\u003eProgramming, autonomy, and front panel control\u003c\/h4\u003e\u003cp\u003eSettings are made from a \u003cstrong\u003ePC computer\u003c\/strong\u003e, then the device operates \u003cstrong\u003eautonomously\u003c\/strong\u003e. On the version with \u003cstrong\u003edisplay\u003c\/strong\u003e, daily operation is simplified thanks to dedicated \u003cstrong\u003efront panel buttons\u003c\/strong\u003e allowing recall, activation, and adjustment of programs (source, level, program assignment). Programs can also be recalled via optional \u003cstrong\u003eflush-mount wall remote controls\u003c\/strong\u003e depending on the installation.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eNumber of channels\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e6\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eU-height\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e1\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:6;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003e2 stereo audio sources\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eunbalanced inputs on RCA connectors\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eDynamic range\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003egreater than 109 dBA, greater than 106 dB unweighted\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:2;--wb-r:7;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003e4 balanced mic or line sources\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003einputs on Euroblock connectors\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eTHD + noise\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e0.003% at +4 dBu, 1 kHz\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:3;--wb-r:8;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003e4 balanced outputs\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eon Euroblock connectors\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eChannel crosstalk\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003egreater than 80 dB\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:4;--wb-r:9;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eConversion\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e24-Bit \/ 48 kHz\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eLatency\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e0.6 ms\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:5;--wb-r:10;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eFrequency response\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e20 Hz to 20 kHz, +\/- 0.5 dB\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"DBX","offers":[{"title":"Default Title","offer_id":54360701665555,"sku":"337572","price":1040.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/764bc9645fefab5bc74b905c2d812a3117389bb5_FREEVOX_126410.jpg?v=1794581858"},{"product_id":"dbx-234xs-filtre-actif-stro-145576","title":"234XS - STEREO ACTIVE FILTER","description":"\u003ch3\u003eA Classic in Multi-Way Management to Optimize Your Speakers\u003c\/h3\u003e\u003cp\u003eThe dbx 234xs is designed to bridge your mix (console, processor, interface) and a multi-way speaker system, ensuring clean and controlled frequency distribution. Its \"pro processor\" approach relies on Linkwitz-Riley 24 dB per octave filtering, a standard appreciated for achieving more controlled band overlaps and a more coherent sum at the crossover point. The result: a better-aligned system, clearer sound, and generally easier setup in the field.\u003c\/p\u003e\u003ch3\u003eWho Is It For and What Are Its Uses?\u003c\/h3\u003e\u003cp\u003eThis stereo active crossover is aimed at users who want to get the best out of their powered or passive speakers (with separate amplification): sound providers, touring bands, demanding DJs, rehearsal rooms, places of worship, clubs, or fixed installations. In stereo 2 or 3-way mode, it allows energy distribution between sub, low\/mid, and high frequencies depending on your system configuration. In mono 4-way mode, it becomes an effective tool for setups requiring more output channels or a more \"system tuning\" approach on a central sound source.\u003c\/p\u003e\u003ch3\u003eControl, Safety, and Precision: Key Features of the 234xs\u003c\/h3\u003e\u003ch4\u003eLinkwitz-Riley 24 dB per Octave Filtering\u003c\/h4\u003e\u003cp\u003eThe 234xs uses high-precision Linkwitz-Riley 24 dB per octave filters. This slope type promotes clear separation between channels, limits unwanted interactions, and helps maintain a more stable balance when adjusting each band's levels. It is a relevant choice to fully exploit the characteristics of multi-way speakers and achieve a more homogeneous sound.\u003c\/p\u003e\u003ch4\u003ePractical Adjustments for System Alignment\u003c\/h4\u003e\u003cp\u003eEach output has its \u003cstrong\u003eindividual level control\u003c\/strong\u003e, an essential feature for quickly balancing your system according to amplifiers, speakers, and room acoustics. \u003cstrong\u003ePhase inversion\u003c\/strong\u003e on all outputs facilitates corrections in case of phase issues between channels (for example, between sub and tops) and saves time during testing.\u003c\/p\u003e\u003ch4\u003e40 Hz High-Pass Filter and Bass Summing for Subwoofer\u003c\/h4\u003e\u003cp\u003eThe \u003cstrong\u003e40 Hz high-pass filter\u003c\/strong\u003e helps limit unwanted very low frequencies, often sources of \"rumble,\" headroom loss, and unnecessary speaker strain. For subwoofer management, the 234xs includes a \u003cstrong\u003elow-frequency summing circuit\u003c\/strong\u003e : bass signals can be summed to provide a \u003cstrong\u003emono sub output\u003c\/strong\u003e, a common configuration in sound reinforcement to enhance impact and simplify subwoofer placement.\u003c\/p\u003e\u003ch4\u003eSymmetrical XLR Connectivity for Reliable Integration\u003c\/h4\u003e\u003cp\u003e\u003cstrong\u003eBalanced XLR inputs and outputs\u003c\/strong\u003e integrate easily into a sound rack and contribute to a more robust connection over long cable runs. The 234xs is thus comfortable both in a mobile rig and in fixed installations, maintaining a clear approach: separate, balance, control.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eNumber of channels\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e2\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eU-height\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e1\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:11;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eStereo mode\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e2-way or 3-way\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eFrequency response\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e20 Hz to 20 kHz, +0\/-0.5 dB\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:2;--wb-r:12;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eMono mode\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e4-way\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eDistortion + noise\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eless than 0.004% at +4 dBu, 1 kHz\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:3;--wb-r:13;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eHigh-pass filter\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e40 Hz\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eSignal-to-noise ratio Stereo\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003egreater than 94 dB (LF), greater than 93 dB (MF), greater than 90 dB (HF)\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:4;--wb-r:14;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003ePhase inversion\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eon all outputs\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eSignal-to-noise ratio Mono\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003egreater than 94 dB (LF), greater than 92 dB (LMF), greater than 92 dB (HMF), greater than 88 dB (HF)\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:5;--wb-r:15;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eLevel control\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eindividual per output\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eReference\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e+4 dBu, 22 kHz\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:6;--wb-r:16;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eFilter type\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eLinkwitz-Riley 24 dB per octave\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eDynamic range\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003egreater than 106 dB\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:7;--wb-r:17;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eInputs\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e2 inputs on XLR connectors (balanced)\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eCrosstalk\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eless than -80 dB, 20 Hz to 20 kHz\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:8;--wb-r:18;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eOutputs\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eXLR connectors (balanced)\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eRack format\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e1U\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:9;--wb-r:19;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eMaximum input level\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e+22 dBu\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e486 x 175 x 45 mm\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:10;--wb-r:20;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eMaximum output level\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e+20 dBu (600 ohms)\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eWeight\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e1.8 kg\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"DBX","offers":[{"title":"Default Title","offer_id":54361019810067,"sku":"145576","price":249.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/ad841aa1a0f04d162b0cd1bec3f0e3bb8425e89a_DBX_234XS.jpg?v=1794584340"},{"product_id":"bss-blu100-337576","title":"BLU100","description":"\u003ch3\u003eSoundweb London: A Modular Approach at the Heart of Networked Audio Systems\u003c\/h3\u003e \n\u003cp\u003eWithin the \u003cstrong\u003eSoundweb London\u003c\/strong\u003e range, the BLU-100 (as well as the BLU-101 and BLU-102 models) follows a \u003cstrong\u003ecustom\u003c\/strong\u003e design logic: selecting the right processing power, the appropriate audio networking mode, and the most suitable input\/output configuration, then evolving the system throughout the project. This philosophy enables building \u003cstrong\u003eflexible\u003c\/strong\u003e audio distribution and processing systems capable of integrating with other Soundweb London processors while maintaining coherent routing and control.\u003c\/p\u003e  \n\n\u003ch3\u003eWho Is This DSP Processor For and What Are Its Applications?\u003c\/h3\u003e \n\u003cp\u003eThe BLU-100 is intended for \u003cstrong\u003eintegrators\u003c\/strong\u003e, technicians, and audio engineers designing installations requiring reliable processing and clean signal distribution: theaters, places of worship, conference centers, public venues, campuses, hotels, or mobile control rooms. Its \u003cstrong\u003e12 inputs \/ 8 outputs\u003c\/strong\u003e configuration and network connectivity make it a solid foundation for managing functions such as mixing, distribution matrix, zone processing, microphone management (with phantom power), and integration into a control infrastructure.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eNumber of channels\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e48\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eU-height\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e1\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"BSS","offers":[{"title":"Default Title","offer_id":54361084231955,"sku":"337576","price":3052.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/f893ea463204714bb0622ca58d03c67574b7b26d_FREEVOX_126488.jpg?v=1794584303"},{"product_id":"behringer-sx3040-v2-392294","title":"SX3040 V2","description":"\u003ch3\u003eA Classic Rack Sound Enhancement Tool to Restore Depth to Mixes\u003c\/h3\u003e\u003cp\u003eThe Sonic Exciter SX3040 belongs to the family of \"psychoacoustic\" enhancement processors: rather than traditional equalization, it emphasizes the perception of presence and articulation while reinforcing the low end. In modern setups where productions are often dense (layered vocals, wide synths, heavily compressed drums), this type of tool remains relevant to regain air, contrast, and a more \"finished\" sound without reopening the entire session. Its value in the lineup is clear: a simple-to-adjust device, with two channels, capable of working on a stereo mix or key sources.\u003c\/p\u003e\u003ch3\u003eWho It's For and Its Uses in Studio, Live, DJ, and Broadcasting\u003c\/h3\u003e\u003cp\u003eIn the \u003cstrong\u003ehome studio\u003c\/strong\u003e, the SX3040 is especially useful if you mix \"in the box\" but seek a touch of definition on the stereo bus, or if certain takes lack presence (vocals, guitars, keyboards). In the \u003cstrong\u003estudio\u003c\/strong\u003e, it can complement an insert processing chain, remaining a quick tool to enhance a track or subgroup without multiplying equalizers.\u003c\/p\u003e\u003cp\u003eIn \u003cstrong\u003elive\u003c\/strong\u003e and \u003cstrong\u003esound reinforcement\u003c\/strong\u003e, its 1U rack format and channel-based approach make it practical for adding impact to a console stereo, a stereo source (keyboards, monitors, players), or a \"bass and vocals\" pair depending on your routing. In \u003cstrong\u003eDJ\u003c\/strong\u003e and \u003cstrong\u003eweb broadcasting\u003c\/strong\u003e, it can provide more perceived level, brightness, and density, while maintaining direct control over the effect amount via mix controls. It also fits well in a \u003cstrong\u003ehi-fi\u003c\/strong\u003e or \u003cstrong\u003e5.1 surround\u003c\/strong\u003e setup (depending on your architecture), when the goal is to increase depth perception and articulation.\u003c\/p\u003e\u003ch3\u003eKey Features: Exciter, Bass, Parallel Mixing, and Connectivity\u003c\/h3\u003e\u003ch4\u003eExciter Section: Controlled Presence, Detail, and Brightness\u003c\/h4\u003e\u003cp\u003eThe Exciter section works on the perception of harmonics and attack: the goal is to bring out the upper spectrum in a more \"musical\" way than a simple high-frequency boost. The \u003cstrong\u003eTune\u003c\/strong\u003e, \u003cstrong\u003eHarmonics\u003c\/strong\u003e, and \u003cstrong\u003eMix\u003c\/strong\u003e controls per channel allow adjustment of the action range, excitation intensity, and overall dosage. In practice, this helps push a vocal forward in the mix, restore grain to a guitar, or clarify stereo elements (pads, overheads, reverb) without making the result harsh, provided the settings are precise.\u003c\/p\u003e\u003ch4\u003eBass Processor: Punch, Depth, and Improved Low-End Clarity\u003c\/h4\u003e\u003cp\u003eThe integrated bass processor stands out with its \u003cstrong\u003ephase compensation\u003c\/strong\u003e approach, designed to enhance the bass sensation while keeping a more coherent low end. With \u003cstrong\u003eDrive\u003c\/strong\u003e, \u003cstrong\u003eTune\u003c\/strong\u003e, and \u003cstrong\u003eMix\u003c\/strong\u003e controls per channel, you can add density and weight to a bass, kick, or rhythmic bus while controlling the balance with the original signal. This is particularly effective when the low end lacks impact on small monitoring systems or when you want a firmer foundation without masking the low mids.\u003c\/p\u003e\u003ch4\u003eTwo Channels: Flexibility in Stereo or Dual Source Processing\u003c\/h4\u003e\u003cp\u003eThanks to its \u003cstrong\u003etwo channels\u003c\/strong\u003e, the SX3040 adapts to multiple workflows: processing a full stereo mix, optimizing a stereo instrument, or enhancing two independent mono sources. This flexibility is a real advantage in live and studio settings, as it allows assigning the device where it adds the most value (for example, bass on one channel and lead vocal on the other), without dedicating the entire processor to a single use.\u003c\/p\u003e\u003ch4\u003eClean Integration into an Audio Chain\u003c\/h4\u003e\u003cp\u003eThe \u003cstrong\u003eservo-balanced inputs and outputs\u003c\/strong\u003e on XLR and 6.3 mm jack facilitate integration into various environments (interfaces, consoles, patch bays, racks). The \u003cstrong\u003e19-inch 1U rack format\u003c\/strong\u003e and \u003cstrong\u003euniversal 100 to 240 V power supply\u003c\/strong\u003e make it practical to install, transport, and use daily. For professional results, it is best to manage gain staging carefully and consider the SX3040 as a finishing tool: subtle settings often yield a more natural and effective result than excessive excitation or bass enhancement.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eNumber of channels\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e2\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eU-height\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e1\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:7;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eType\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003estereo exciter \/ bass processor\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eXLR inputs\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003egold-plated\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:2;--wb-r:8;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eBass processor\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ephase-compensated\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eXLR outputs\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003egold-plated\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:3;--wb-r:9;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003ePer-channel controls (Exciter section)\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eTune, Harmonics, Mix\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003ePower supply\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e100 to 240 V AC \/ 50 to 60 Hz\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:4;--wb-r:10;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003ePer-channel controls (bass processor section)\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eDrive, Tune, Mix\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eFormat\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e19-inch rack - 1U\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:5;--wb-r:11;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eJack inputs\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e6.3 mm, servo-balanced\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eEnclosure depth\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e150 mm\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:6;--wb-r:12;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eJack outputs\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e6.3 mm, servo-balanced\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eWeight\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e1.5 kg\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Behringer","offers":[{"title":"Default Title","offer_id":54361246269715,"sku":"392294","price":77.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/5c268efca44b07d15db8937d5f4d50ad7fe6e767_BEHRINGER_SX3040V2.jpg?v=1794584415"},{"product_id":"dangerous-music-dm21-compressor-183124","title":"DM21 Compressor","description":"\u003ch3\u003eA modern VCA compressor designed for precision rather than color\u003c\/h3\u003e\u003cp\u003eIn the mixing world, the VCA approach remains a benchmark when seeking firmness, speed, and reliable dynamic control. This compressor inherits that \"studio\" DNA and pushes it towards a decidedly modern use: a clean, predictable action, fine enough to stay invisible when needed. Its philosophy is simple: you set your parameters, lower the threshold, and continue until the mix reaches the typical density and stability level of \"radio-ready\" productions.\u003c\/p\u003e\u003ch3\u003eWho is it for and what studio uses?\u003c\/h3\u003e\u003cp\u003eThis compressor is aimed at sound engineers, producers, and musicians who want to speed up their mixing decisions without sacrificing quality. It is particularly relevant on \u003cstrong\u003evocals\u003c\/strong\u003e (lead, backing vocals, voice-over, podcast) when the goal is to obtain a present, consistent, and intelligible track without pumping sensation. On broader sources, it also provides control on a \u003cstrong\u003estereo bus\u003c\/strong\u003e or group (keyboards, guitars, backing vocals) while respecting space and stereo width.\u003c\/p\u003e\u003cp\u003eIts \"automated fader\" behavior makes it ideal if you want to limit tweaks: instead of multiplying volume rides, you let the compressor do the stabilization work while maintaining musical dynamics.\u003c\/p\u003e\u003ch3\u003eKey features: transparency, control, and preserved stereo\u003c\/h3\u003e\u003ch4\u003eSimple adjustment: set, lower the threshold, finalize\u003c\/h4\u003e\u003cp\u003eThe central idea is to quickly achieve the right level of control: you choose your settings then adjust the \u003cstrong\u003ethreshold\u003c\/strong\u003e until you feel the balance locks in. This logic favors an efficient mix: fewer hesitations, more decisions, and a result that \"holds\" immediately in a modern context (streaming, broadcast, spoken content).\u003c\/p\u003e\u003ch4\u003eIntelligent dual-slope dynamic detection: peaks under control and stabilized average level\u003c\/h4\u003e\u003cp\u003eThe \u003cstrong\u003eintelligent dual-slope dynamic detection\u003c\/strong\u003e combines two complementary behaviors: on one side, a \u003cstrong\u003epeak limiting\u003c\/strong\u003e action to contain transients\u0026#59; on the other, a \u003cstrong\u003emore discreet reduction of average levels\u003c\/strong\u003e to homogenize the source without crushing it. Result: you get a more consistent track that remains natural, with control that goes unnoticed.\u003c\/p\u003e\u003ch4\u003eAuto Attack\/Release: immediate and coherent results\u003c\/h4\u003e\u003cp\u003eThe \u003cstrong\u003eAuto Attack\/Release\u003c\/strong\u003e function is designed to replace \"approximate\" settings with \"ready\" settings. It adapts the compressor's reaction to maintain a musical sound, especially when the source varies greatly (vocal performance, spoken voice, instruments with irregular playing). This reduces setup time and helps achieve the final sound faster.\u003c\/p\u003e\u003ch4\u003eTrue stereo dual detector: a stereo image that doesn't collapse\u003c\/h4\u003e\u003cp\u003eOn many stereo compressors, the traditional link \u003cstrong\u003eshares a single detector\u003c\/strong\u003e between channels: practical, but often at the cost of \u003cstrong\u003estereo image reduction\u003c\/strong\u003e and a center that dominates as soon as compression becomes audible. Here, the design with a \u003cstrong\u003etrue stereo dual detector\u003c\/strong\u003e aims to preserve the width and stability of the panorama, even when working heavily.\u003c\/p\u003e\u003ch4\u003ePure VCA: clean compression even at high gain reduction\u003c\/h4\u003e\u003cp\u003eThanks to a \u003cstrong\u003ePure VCA\u003c\/strong\u003e architecture, the goal is cleanliness: \u003cstrong\u003eno distortion\u003c\/strong\u003e, even with \u003cstrong\u003e20 dB of gain reduction\u003c\/strong\u003e. This is a major asset for vocals and buses where you want density without unwanted coloration, and controlled dynamics without artifacts.\u003c\/p\u003e\u003ch4\u003eAudiophile sidechain: Bass Cut and Sibilance Boost\u003c\/h4\u003e\u003cp\u003eThe \u003cstrong\u003esidechain circuit\u003c\/strong\u003e is presented as the \"audiophile soul\" of the compressor, as it conditions how the detector reacts to the source. Two tools are at the heart of this behavior: \u003cstrong\u003eBass Cut\u003c\/strong\u003e prevents overreacting to low frequencies (kick, mic proximity, plosives) to control dynamics \u003cstrong\u003ewithout sacrificing the low end\u003c\/strong\u003e\u0026#59; \u003cstrong\u003eSibilance Boost\u003c\/strong\u003e helps reduce \u003cstrong\u003esibilance\u003c\/strong\u003e and other harsh high frequencies with an action designed to remain clean and \u003cstrong\u003eartifact-free\u003c\/strong\u003e. Ideal for keeping a bright and intimate vocal without aggressiveness.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eNumber of channels\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e2\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eU-height\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e2\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:9;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eType\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003estereo compressor\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eStereo detection\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003etrue dual detector\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:2;--wb-r:10;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eTechnology\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ePure VCA\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eSidechain circuit\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eintegrated\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:3;--wb-r:11;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003ePurpose\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eclean compression, without distortion\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eBass Cut\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eshapes the source without sacrificing low end\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:4;--wb-r:12;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eAdjustment\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eby threshold\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eSibilance Boost\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ereduces sibilance and unwanted high-frequency sounds without artifacts\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:5;--wb-r:13;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eDynamic detection\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eintelligent dual-slope\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eVocals\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003elevel stabilization, an \u0026quot;automated fader\u0026quot; effect to reduce the need for automation\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:6;--wb-r:14;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eProcessing functions\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003epeak limiting and invisible reduction of average levels\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eBuses and groups\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003edynamic control while preserving the stereo image\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:7;--wb-r:15;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eAuto Attack\/Release\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eyes\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eMixing\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003edense and controlled, \u0026quot;radio-ready\u0026quot; sound\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:8;--wb-r:16;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003ePossible gain reduction\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eup to 20 dB without distortion\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Dangerous Music","offers":[{"title":"Default Title","offer_id":54361338708243,"sku":"183124","price":3499.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/b07566a4ce0e0463d99ad3da60a39ab55a25ea8a_DANGEROUSMUSIC_DM21.jpg?v=1794584341"},{"product_id":"spl-vitalizer-mk3-t-396306","title":"Vitalizer MK3-T","description":"\u003ch3\u003eA Classic Third-Generation SPL, Revisited\u003c\/h3\u003e \u003cbr \/\u003e\u003cp\u003eHeir to an iconic lineage, the Vitalizer Mk3-T continues SPL's approach of \"musical processing\" rather than corrective. This version replaces the historic golden front panel with the black \"SPL Studio\" finish and benefits from an internal voltage raised to +\/- 18 V. The result: an expanded dynamic range, reduced background noise, and an even more precise rendering, both on stereo buses and in mastering.\u003c\/p\u003e \u003cbr \/\u003e\u003cbr \/\u003e\u003ch3\u003eWho and What Is It For?\u003c\/h3\u003e \u003cbr \/\u003e\u003cp\u003eThe Mk3-T is aimed at sound engineers, producers, and live sound managers who want to add depth to overly tame mixes, tighten a muddy low end, or widen a stereo image without artifacts. In studio or live settings, it provides an immediate \"lift\" to vocals, synths, drums, stems, and the main bus, while remaining easy to adjust.\u003c\/p\u003e \u003cbr \/\u003e\u003cbr \/\u003e\u003ch3\u003eWhat the Mk3-T Changes in Your Signal Chain\u003c\/h3\u003e \u003cbr \/\u003e\u003cbr \/\u003e\u003ch4\u003eSolid and Controlled Bass\u003c\/h4\u003e \u003cbr \/\u003e\u003cp\u003eThe \u003cstrong\u003eBass Sound\u003c\/strong\u003e control sculpts the low-frequency range towards a \"soft and warm\" or, conversely, more percussive sound. A dedicated bass compressor tightens the foundation for a clean and energetic low end.\u003c\/p\u003e \u003cbr \/\u003e\u003cbr \/\u003e\u003ch4\u003eNatural Presence and Definition\u003c\/h4\u003e \u003cbr \/\u003e\u003cp\u003eThe \u003cstrong\u003eMid-Hi Tune\u003c\/strong\u003e and \u003cstrong\u003eLC-EQ\u003c\/strong\u003e duo brings clarity and intelligibility. You target the useful frequency range and then add presence without harshness, ideal for vocals, guitar, or the music bus.\u003c\/p\u003e \u003cbr \/\u003e\u003cbr \/\u003e\u003ch4\u003eDrive, Process, and Mix Cohesion\u003c\/h4\u003e \u003cbr \/\u003e\u003cp\u003e\u003cstrong\u003eDrive\u003c\/strong\u003e progressively activates the Vitalizer's filter network, while \u003cstrong\u003eProcess\u003c\/strong\u003e adjusts the intensity of bass and midrange relative to the original signal for a controlled and repeatable result.\u003c\/p\u003e \u003cbr \/\u003e\u003cbr \/\u003e\u003ch4\u003eBetter-Controlled Stereo Space\u003c\/h4\u003e \u003cbr \/\u003e\u003cp\u003e\u003cstrong\u003eStereo Expander\u003c\/strong\u003e widens the stereo base while preserving the center, useful for broadening a mix without losing the stability of key elements.\u003c\/p\u003e \u003cbr \/\u003e\u003cbr \/\u003e\u003ch4\u003eAudio Architecture and Finish\u003c\/h4\u003e \u003cbr \/\u003e\u003cp\u003eThe \u003cstrong\u003eSovtek 12AX7\u003c\/strong\u003e tube adds subtle musical coloration, while the \u003cstrong\u003e+\/- 18 V\u003c\/strong\u003e power supply offers more headroom. Balanced XLR and 6.3 mm TRS jack inputs\/outputs ensure immediate integration into any rack.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eNumber of channels\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e2\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eU-height\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e1\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:3;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eInternal audio voltage\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e+\/- 18 V\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eWeight\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e6.1 kg\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:2;--wb-r:4;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eDimensions (W x D x H)\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e482 x 300 x 44 mm\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"SPL","offers":[{"title":"Default Title","offer_id":54361373901075,"sku":"396306","price":1161.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/283a5fb0d448a1f1bef5763440f21250ea7af0d8_SPL_VITALIZER_MK3.jpg?v=1794584389"},{"product_id":"dbx-ct-3-testeur-de-cbles-262970","title":"CT-3 - CABLES TESTER","description":"\u003ch3\u003eAn \"extended\" tester designed to cover the essential field connections\u003c\/h3\u003e\u003cp\u003eThe CT3 was designed as a versatile cable tester, capable of centralizing the verification of the most common connectors in audio, lighting, and installations into a single device. Its \"multi-format\" oriented design makes it a practical tool to reduce adapters and speed up diagnostics during setups, maintenance, and troubleshooting.\u003c\/p\u003e\u003ch3\u003eWho is the CT3 for and when to use it?\u003c\/h3\u003e\u003cp\u003eThe CT3 is aimed at sound and lighting technicians, stage managers, installers, studios, schools, and workshops who want to \u003cstrong\u003evalidate the condition of a cable before a performance\u003c\/strong\u003e or \u003cstrong\u003eidentify a break\/inversion of conductors\u003c\/strong\u003e on an already installed line. It is also well suited for environments where network cables, DMX links, and analog audio connections coexist.\u003c\/p\u003e\u003ch3\u003eQuick checks and reliable diagnostics, even on pre-installed cables\u003c\/h3\u003e\u003ch4\u003eTwo-part architecture for long lengths\u003c\/h4\u003e\u003cp\u003eThe CT3 separates into two modules (transmitter and receiver), allowing easy testing of a connection installed between two distant points without having to bring the ends together. An effective solution for racks, stages, bays, and technical passages.\u003c\/p\u003e\u003ch4\u003eContinuity test with visual indicators and alarm\u003c\/h4\u003e\u003cp\u003eThe integrated test generator, LED indicators, and sound alarm facilitate continuity checks and verification of \"pin-to-pin\" correspondences according to the connector type. The \u003cstrong\u003erobust construction\u003c\/strong\u003e is suited for regular use in field conditions.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:9;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eNumber of testable conductors\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eup to 8\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eXLR connectors\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e2 (1 male, 1 female), 3-pin-to-pin test\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:2;--wb-r:10;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003ePre-installed cable testing\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003edevice separable into two units\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eMIDI connectors\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e2 (5-pin DIN), 5-pin-to-pin test\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:3;--wb-r:11;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eTest generator\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eintegrated\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eSpeakon connectors\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e2, 4-pin-to-pin test\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:4;--wb-r:12;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eConnection test\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ewith different connectors\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eBanana connectors\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e2, 1-pin-to-pin test\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:5;--wb-r:13;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eContinuity test\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ewith audible alarm and LED indicator\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003e6.35 mm jack connectors\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e2, mono\/stereo, 3-pin-to-pin test\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:6;--wb-r:14;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eDMX connectors\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e2 (5-pin), 5-pin-to-pin test\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003e3.5 mm jack connectors\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e2, mono\/stereo, 3-pin-to-pin test\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:7;--wb-r:15;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eBNC connectors\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e2, 2-pin-to-pin test\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eRJ45 connectors\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e2, 8P8C connection test\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:8;--wb-r:16;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eRCA connectors\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e2, 2-pin-to-pin test\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"DBX","offers":[{"title":"Default Title","offer_id":54361663111443,"sku":"262970","price":183.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/869a3b6faf228f93a47e711c01c4dcb952088576_DBX_CT3.jpg?v=1794585629"},{"product_id":"maag-eq4m-214527","title":"EQ4M","description":"\u003ch3\u003eA Modern Classic in the Mäag Audio Range\u003c\/h3\u003e \u003cbr \/\u003e\u003cp\u003eDesigned around the proprietary \"AIR BAND\" technology that made the brand famous, the EQ4M stands out as the stereo rack version intended for mix bus and mastering. It retains the clear and open sonic aesthetic dear to Mäag Audio, with ergonomics and precision suited for demanding professional environments. Mäag Audio is also an official member of the VPR Alliance, ensuring high manufacturing standards.\u003c\/p\u003e \u003cbr \/\u003e\u003cbr \/\u003e\u003ch3\u003eWho Is It For and What For?\u003c\/h3\u003e \u003cbr \/\u003e\u003cp\u003eThe EQ4M is aimed at mixing and mastering engineers seeking a musical and reliable EQ to sculpt the low end, clarify the midrange, and add air on top without harshness. Its fast response, very low phase shift, and detented controls make it an ideal partner for the 2-bus, mastering chain, lead vocals, overheads, or any stem requiring instantly reproducible definition and presence.\u003c\/p\u003e \u003cbr \/\u003e\u003cbr \/\u003e\u003ch3\u003eKey Features for Bus and Mastering Equalization\u003c\/h3\u003e \u003cbr \/\u003e\u003cbr \/\u003e\u003ch4\u003eThe \"AIR BAND\": Natural Brightness and Space\u003c\/h4\u003e \u003cbr \/\u003e\u003cp\u003eThe renowned \"AIR BAND\" acts as a variable high-frequency shelf (2.5 to 40 kHz) that adds openness, presence, and a sense of space without hardening the highs. It allows a mix to breathe, a vocal to open up, or an ensemble's image to stretch, all while keeping the mix's foundation intact.\u003c\/p\u003e \u003cbr \/\u003e\u003cbr \/\u003e\u003ch4\u003eSix Musical Bands, Reliable Settings\u003c\/h4\u003e \u003cbr \/\u003e\u003cp\u003eSurrounding the \"AIR BAND,\" five highly musical band-pass filters provide essential adjustments from bass to upper midrange. The curves are designed for quick and effective interventions, with detented potentiometers offering faithful recall from session to session and perfect channel coherence.\u003c\/p\u003e \u003cbr \/\u003e\u003cbr \/\u003e\u003ch4\u003eGenerous Headroom and Professional Integration\u003c\/h4\u003e \u003cbr \/\u003e\u003cp\u003eThe +29 dBu headroom guarantees a comfortable margin even in dense analog chains. Balanced XLR inputs\/outputs ensure easy integration, low noise, and exemplary stability, while the minimal phase architecture preserves the impact, width, and depth of your mixes.\u003c\/p\u003e\u003cul\u003e\u003cli\u003eSpecifications subject to change without notice.\u003c\/li\u003e\u003c\/ul\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eNumber of channels\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e2\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eU-height\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e1\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:6;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eFrequency Response\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e10 Hz to 75 kHz, variation of less than 2 dB.\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eBalanced XLR Inputs\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003enominal impedance 48 kOhms.\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:2;--wb-r:7;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eTHD + Noise\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eless than 0.005%.\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eBalanced XLR Outputs\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003enominal impedance 50 Ohms.\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:3;--wb-r:8;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eHeadroom\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e+29 dBu.\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003ePotentiometers\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003enotched.\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:4;--wb-r:9;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eEQ Bands\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e6 per channel, including the \u0026quot;AIR BAND\u0026quot; (2.5 to 40 kHz shelving).\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eBrand\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eMäag Audio (official member of the VPR Alliance).\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:5;--wb-r:10;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eEQ Settings\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eminimum phase.\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Maag","offers":[{"title":"Default Title","offer_id":54361824657683,"sku":"214527","price":2999.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/9352eb8cfd006e938ffb3602f7d897ed58a73cab_MAAGAUDIO_EQ4M.jpg?v=1794586925"},{"product_id":"dangerous-music-bax-eq-183120","title":"BAX EQ","description":"\u003ch3\u003eA \"Baxandall\" Approach Revisited for Current Demands\u003c\/h3\u003e \u003cbr \/\u003eThe BAX EQ follows the tradition of \"Baxandall\" type equalizers, known for their musical and natural shelving curves, highly appreciated on stereo buses and in mastering. While historical designs often sought a flattering and immediate sound, this model emphasizes a modern reproduction oriented towards \u003cstrong\u003ehigh fidelity\u003c\/strong\u003e: clarity, low distortion, and noise reduction. The result: a stereo equalizer designed to work \"finely\" on the last percentages of a mix, without crushing dynamics or distorting the overall balance.\u003cbr \/\u003e \u003cbr \/\u003eIts \u003cstrong\u003e1U\u003c\/strong\u003e format makes it an easy-to-integrate studio tool for a mastering rack, mixing console, or a stereo insert chain dedicated to finishing. The goal is not to impose a color but to provide a stable and reliable equalization platform for quick, repeatable decisions compatible with recall requirements in professional environments.\u003cbr \/\u003e \u003cbr \/\u003e\u003cbr \/\u003e\u003ch3\u003eFor Mastering, Mix Bus, and Demanding Takes\u003c\/h3\u003e \u003cbr \/\u003eThe BAX EQ excels in applications where every move must remain clean and controlled: \u003cstrong\u003emastering\u003c\/strong\u003e, \u003cstrong\u003estereo bus\u003c\/strong\u003e processing, subtle stem correction, or final balancing before export. The Baxandall-type shelves allow opening the high spectrum, reinforcing the low end, or cleaning an overloaded area, all while maintaining a sense of continuity and naturalness.\u003cbr \/\u003e \u003cbr \/\u003eThanks to its design focused on \u003cstrong\u003every low distortion\u003c\/strong\u003e and \u003cstrong\u003emaximum noise reduction\u003c\/strong\u003e, it can also be integrated into a mic\/preamp chain when the goal is to perform gentle correction without altering the natural sonic character. This is an asset for studios seeking \"transparent\" equalization: correcting without betraying the source and maintaining consistency from session to session.\u003cbr \/\u003e \u003cbr \/\u003e\u003cbr \/\u003e\u003ch3\u003ePrecise and Reproducible Settings for Impeccable Stereo Work\u003c\/h3\u003e \u003cbr \/\u003e\u003cbr \/\u003e\u003ch4\u003eStepped Controls: Left\/Right Consistency and Easy Recall\u003c\/h4\u003e \u003cbr \/\u003eIn mastering and final mixing, stereo coherence is a priority: half a decibel difference between channels can shift the image, harden one side, or unbalance the center. The BAX EQ addresses this constraint with \u003cstrong\u003estepped controls\u003c\/strong\u003e, designed to achieve identical stereo operation on each channel. You gain stability, precision, and peace of mind during recalls, whether for a quick tweak or a full revision of a track.\u003cbr \/\u003e \u003cbr \/\u003e\u003cbr \/\u003e\u003ch4\u003eShelving with Q: Sculpting Without Losing Musicality\u003c\/h4\u003e \u003cbr \/\u003eShelving is often sought for its ability to act \"globally\" on a frequency range. Here, the presence of a \u003cstrong\u003eQ Shelving\u003c\/strong\u003e provides additional control over how the curve shapes, helping to adjust the sense of openness in the highs or the solidity of the lows without making the result artificial. This approach is ideal for refining a general tone, correcting excessive brightness, or reinforcing the low end, while maintaining a fluid impression.\u003cbr \/\u003e \u003cbr \/\u003e\u003cbr \/\u003e\u003ch4\u003eHigh-Pass and Low-Pass Filters: Clean Cuts and Spectrum Control\u003c\/h4\u003e \u003cbr \/\u003eFilters are a key element for preparing a master, stabilizing a stereo bus, or avoiding unnecessary energy buildup. The BAX EQ includes \u003cstrong\u003e7-position high-pass and low-pass filters\u003c\/strong\u003e, with a \u003cstrong\u003e2-pole Butterworth\u003c\/strong\u003e configuration offering a slope of \u003cstrong\u003e12 dB\/octave\u003c\/strong\u003e. This topology is appreciated for its smooth behavior, useful for tightening the low end, reducing superfluous sub-bass, or containing an overloaded high end, while keeping a controlled transition.\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eNumber of channels\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e2\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eU-height\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e1\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:6;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eType\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003estereo equalizer for mastering and final mixes\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eCut and Boost adjustment\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e+\/-5 dB in 1\/2 dB steps\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:2;--wb-r:7;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eFormat\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e1U rackmount\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eEqualization\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eQ Shelving\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:3;--wb-r:8;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eDesign\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003einspired by the \u0026quot;Baxandall\u0026quot; shelving curves of the 1960s and 1970s\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eHigh-pass and low-pass filters\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e7 positions\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:4;--wb-r:9;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eStereo adjustment\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003estepped, identical on each channel\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eFilter configuration\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e2-pole Butterworth\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:5;--wb-r:10;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eHigh- and low-frequency selection\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e8 positions\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eFilter slope\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e12 dB\/octave\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Dangerous Music","offers":[{"title":"Default Title","offer_id":54361918734611,"sku":"183120","price":3379.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/fd359e86671c7a9b135fbbfb5e2c183b2a6ff99d_DANGEROUSMUSIC_DM17.jpg?v=1794586833"},{"product_id":"spl-de-esser-mk2-371173","title":"De-Esser MK2","description":"\u003ch3\u003eAn Mk2 Evolution Focused on Ergonomics, Without Betraying the Sonic DNA\u003c\/h3\u003eThe DeEsser Mk2 retains the processing qualities that made the previous generation appealing, while modernizing the device on a key daily studio aspect: usability. With its new design and solid aluminum knobs, adjustments become more direct, stable, and pleasant when finely tuning sibilance reduction during a session or recalling a setting in the mix. The approach remains faithful to the goal of a good hardware de-esser: to intervene where sibilance is problematic, while preserving a lively, airy, and natural voice.\u003cbr \/\u003e\u003ch3\u003eWho Is It For and What Studio Uses?\u003c\/h3\u003eThe DeEsser Mk2 is aimed at demanding home studio users, recording studios, post-production control rooms, and broadcast environments seeking reliable sibilance control at the source. It excels on vocals (singing, rap, voice-over, podcast) right from the recording stage, but is equally relevant in mixing to tame sibilance that has become too prominent after equalization or compression.\u003cbr \/\u003eIts dual-channel format facilitates modern workflows: you can process two microphones simultaneously, manage a stereo signal using two mono sections with the same settings, or simply keep a second channel ready for another vocal track. Typically placed after the preamp (and often before or after a compressor depending on the desired result), it allows control of \"s,\" \"ch,\" \"t,\" and other harsh consonants without having to automate constantly or overcorrect with EQ.\u003cbr \/\u003e\u003ch3\u003eAuto-Dynamic: A Musical De-Essing, Quick to Set\u003c\/h3\u003eThe principle of the DeEsser Mk2 is clear: remove unwanted sibilant frequencies in a simple and musical way. Auto-Dynamic targets reduction that follows the actual dynamics of the voice, so the action focuses on problematic consonants without \"closing\" the upper spectrum on the rest of the phrase. The result: preserved intelligibility, less aggressive upper mids, and a more controlled vocal feel, especially when subsequently compressed or brought forward in the mix.\u003cbr \/\u003e\u003ch4\u003e\"S\" Reduction LED Indicator: Precision and Control in Real Situations\u003c\/h4\u003eIn both recording and mixing, a de-esser is judged as much by ear as by the consistency of the setting against performance variations. The \"S\" reduction LED indicator helps visualize when and how much the device is acting, speeding up the placement of the processing: enough to calm sibilance, not too much to avoid the \"lisp\" effect. This is particularly useful on very close-miked vocals, bright takes, or singers with very pronounced attacks.\u003cbr \/\u003e\u003ch4\u003eFemale Mode: Adapting the Sensitive Range to Vocal Characteristics\u003c\/h4\u003eSibilance does not always occur in the same place depending on tessitura, microphone, distance, or applied equalization. Female mode allows adapting the treatment behavior to the voice's characteristics to more effectively catch the relevant sibilance area. This is a practical asset for quickly switching between different voices in the same session (lead vocals, backing vocals, voice-over) while maintaining a natural sound.\u003cbr \/\u003eFinally, the dual-channel architecture and wide frequency response of the DeEsser Mk2 make it both a specialized and versatile tool: specialized because it targets a specific problem (sibilance), versatile because it can integrate into many workflows (tracking, mixing, post) with comfortable headroom and performance suited to demanding studio use.\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eNumber of channels\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e2\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eU-height\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e1\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:5;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eFrequency response\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e10 - 100,000 Hz (-3.0 dB)\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eInput impedance\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e22 kOhm\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:2;--wb-r:6;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eNoise (A-weighted)\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e-97 dB\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eOutput impedance\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e100 Ohm\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:3;--wb-r:7;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eDynamic range\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e118 dB\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eDimensions (W x H x D)\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e482 x 44 x 237 mm\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:4;--wb-r:8;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eMax input\/output level\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e21 dBu\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eWeight\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e3.3 kg\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"SPL","offers":[{"title":"Default Title","offer_id":54362053804307,"sku":"371173","price":849.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/eb9cb1554d90b6def0ccb6afcb565388bbb85e23_SPL_2230.jpg?v=1794588105"},{"product_id":"elysia-nvelope-183105","title":"nvelope","description":"\u003ch3\u003eA Modern Reference for 19-inch Rack Transient Shaping\u003c\/h3\u003e\u003cp\u003eThe elysia nvelope has established itself as a unique dynamic processor: whereas a compressor heavily depends on threshold, ratio, and input level, nvelope works directly on the \u003cstrong\u003eimpulsive structure\u003c\/strong\u003e of the signal. Its goal is clear: to give you control over the feel of the hit, the clarity of the attack, and the sustain of the sound, whether on an isolated track or a bus.\u003c\/p\u003e\u003cp\u003eWithin the range of transient processing tools, its signature lies in two aspects: a \u003cstrong\u003ediscrete Class A analog architecture\u003c\/strong\u003e and especially a \u003cstrong\u003eDual Band mode\u003c\/strong\u003e designed for complex sources. The result: you're not limited to \"more attack \/ less sustain\" on a snare drum\u0026#59; you can also work on a piano, a pick-played bass, a rhythm guitar, a reverb return, or even a stereo mix with more surgical precision.\u003c\/p\u003e\u003ch3\u003eWho Is It For and What Are Its Studio Uses?\u003c\/h3\u003e\u003cp\u003envelope is aimed at sound engineers, producers, and home studio users who want to \u003cstrong\u003eshape groove and clarity\u003c\/strong\u003e without crushing the musical dynamics. On drums, it can enhance the punch of a kick, bring out the attack of a tom, or conversely tame an overly aggressive hi-hat. On a slapped or pick-played bass, it helps stabilize the perception of the attack and better \"lock\" the instrument's place in the mix.\u003c\/p\u003e\u003cp\u003eIt is equally comfortable in mixing as in sound design: reducing sustain to dry out an overly reverberant room, shortening a reverb tail, or giving the impression of a closer, more present instrument. And on a bus, the idea is not to \"compress harder,\" but to \u003cstrong\u003eposition\u003c\/strong\u003e: more attack and less sustain to push forward, or the opposite to pull back and let the mix breathe.\u003c\/p\u003e\u003ch3\u003eKey Features: Dual Band, EQ, and Creative Routing\u003c\/h3\u003e\u003ch4\u003eAttack\/Sustain Control: The Envelope in the Foreground\u003c\/h4\u003e\u003cp\u003eThe principle is simple and effective: \u003cstrong\u003eAttack\u003c\/strong\u003e acts on the initial energy (impact, definition, bite) while \u003cstrong\u003eSustain\u003c\/strong\u003e controls the hold, space, and perceived reflections. Reducing sustain makes an instrument drier and shorter\u0026#59; increasing it adds depth, density, and a sense of extended duration, without relying on threshold or release settings typical of compressors.\u003c\/p\u003e\u003ch4\u003eDual Band Mode: Precision on Complex Sources\u003c\/h4\u003e\u003cp\u003eDual Band mode is the most distinctive feature: you define the frequency range on which Attack and Sustain will operate. This approach is valuable when broadband correction would be too general (for example, on a stereo bus or a very rich source). You can thus enhance the attack in a useful zone while avoiding over-exciting already busy highs, or control the sustain of a specific band to clean up the image and depth.\u003c\/p\u003e\u003ch4\u003eEQ Mode: A Flexible High\/Low Shelf in Dynamic Bypass\u003c\/h4\u003e\u003cp\u003eBy bypassing the dynamic section, nvelope becomes a particularly musical \u003cstrong\u003ehigh\/low shelf EQ\u003c\/strong\u003e, handy for quickly balancing a signal before (or instead of) transient shaping. It's a direct approach to clarify the low end, open up the highs, or prepare a source before more pronounced processing.\u003c\/p\u003e\u003ch4\u003eTwo Independent Channels: Stereo Link, Dual Mono, and Chains\u003c\/h4\u003e\u003cp\u003envelope offers \u003cstrong\u003etwo true channels\u003c\/strong\u003e: stereo linked to preserve the image, or dual mono to process two different sources. And when not linked, the possibilities become very creative: one channel can work in Dual Band while the other remains in Full Range, or you can chain the channels to combine equalization (EQ mode) followed by transient shaping (Dual Band mode) in a second step. This flexibility makes it as relevant in tracking as in advanced mixing.\u003c\/p\u003e\u003cp\u003eAdd to this an \u003cstrong\u003eautomatic gain\u003c\/strong\u003e that facilitates comparisons and a \n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eNumber of channels\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e2\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eU-height\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e1\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:6;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eFrequency response\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e\u0026lt; 10 Hz - 400 kHz (-3 dB)\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eInput impedance\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e10 kOhm\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:2;--wb-r:7;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eFull bandwidth A-weighted noise (20 Hz - 20 kHz)\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e-90 dBu\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eOutput impedance\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e68 Ohm\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:3;--wb-r:8;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eDual band A-weighted noise (20 Hz - 20 kHz)\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e-87 dBu\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eInputs and outputs\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eXLR and jack\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:4;--wb-r:9;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eDynamic range (20 Hz - 22 kHz)\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e112 dB\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eFormat\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e19-inch - 1U\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:5;--wb-r:10;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eMaximum input\/output level\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e+21 dBu\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eWeight\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e2 kg\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Elysia","offers":[{"title":"Default Title","offer_id":54362091749651,"sku":"183105","price":1129.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/e40fe43461cf9822a6b67582bde6224892aa24bb_nvelope_19_inch_left.jpg?v=1794588221"},{"product_id":"elysia-nvelope-mastering-edition-440195","title":"nvelope Mastering Edition","description":"\u003ch3\u003eFrom the Transient Designer to a dedicated mastering version\u003c\/h3\u003e\u003cp\u003eThe \u003cstrong\u003envelope\u003c\/strong\u003e builds on the work of Ruben Tilgner, CEO of elysia and designer of the original Transient Designer during his time at SPL. Its major development is the Dual Band mode: rather than acting only on the entire signal, it allows you to select the frequency ranges used to process the attack and sustain.\u003c\/p\u003e\u003cp\u003eWithin this family, the \u003cstrong\u003envelope Mastering Edition\u003c\/strong\u003e focuses on subtle intervention. Its +\/- 5 dB gain range, additional stepped controls and precise scale make measured corrections and recalling settings easier. It retains the versatility of the nvelope while offering an ergonomics suited to the demands of mastering.\u003c\/p\u003e\u003ch3\u003eTo refine the depth of a mix without disrupting its balance\u003c\/h3\u003e\u003cp\u003eThis dynamics processor is aimed at mastering engineers, mixing studios and producers who want to work directly on transient behavior. It can enhance the impact of a percussive program, soften an overly pronounced attack or adjust the sustain of sounds without being limited to conventional compression.\u003c\/p\u003e\u003cp\u003eOn a stereo mix, Dual Band mode helps focus the processing on the useful frequencies and limit artifacts that may occur with wideband processing. EQ mode offers another approach: correcting the low-end foundation or brightness with two shelving filters while retaining the same working environment.\u003c\/p\u003e\u003ch3\u003eThree modes for shaping dynamics and frequency response\u003c\/h3\u003e\u003ch4\u003eFull Range: direct control over the envelope\u003c\/h4\u003e\u003cp\u003eThe nvelope's processing operates independently of the signal's specific level. In Full Range mode, the \u003cstrong\u003eAttack and Sustain\u003c\/strong\u003e controls respectively reduce or accentuate the attack and sustain: turn them to the left to attenuate, and to the right to enhance. This approach avoids having to balance a series of complex settings to achieve a result.\u003c\/p\u003e\u003cp\u003eIn this mode, Freq A reduces the influence of low frequencies on the attack processing. The higher the selected frequency, the less the low frequencies influence this action. The \u003cstrong\u003eAuto Gain\u003c\/strong\u003e function automatically compensates for significant peaks caused by strong attack enhancement, helping to limit level variations and the associated risk of distortion.\u003c\/p\u003e\u003ch4\u003eDual Band: frequency-specific processing\u003c\/h4\u003e\u003cp\u003eDual Band mode makes the processing more selective. \u003cstrong\u003eFreq A sets the starting frequency for attack processing\u003c\/strong\u003e, while \u003cstrong\u003eFreq S determines the ending frequency for sustain processing\u003c\/strong\u003e. The Attack and Sustain controls retain their attenuation or enhancement functions.\u003c\/p\u003e\u003cp\u003eThis frequency selection allows the processor's response to be matched more precisely to the musical content. It promotes a natural result when Full Range mode produces unwanted effects. Auto Gain is not available in Dual Band or EQ mode.\u003c\/p\u003e\u003ch4\u003eEQ: two shelving filters per channel\u003c\/h4\u003e\u003cp\u003eIn EQ mode, the dynamics processing sections are disabled while the filter stages remain active. Freq A sets the frequency of the high-shelf filter, and Attack controls its attenuation or enhancement. Freq S determines the frequency of the low-shelf filter, while Sustain adjusts its gain. The two channels can be used as independent equalizers or operate together on a stereo signal.\u003c\/p\u003e\u003ch4\u003eTwo independent or linked channels\u003c\/h4\u003e\u003cp\u003eDual Mono operation allows different tasks to be performed on each channel, such as Dual Band processing on the left and Full Range on the right. It is also possible to connect the output of the left channel to the input of the right channel to chain two processes on a mono signal, such as equalization followed by transient shaping. In Stereo Link, both channels share the same mode for stereo processing.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:3;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eNumber of channels\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e2\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eColor\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eBlack\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:2;--wb-r:4;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eU-height\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e1\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:16;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eType\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003etwo-channel transient processor and shelving filter equalizer.\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eTotal harmonic distortion and noise, at +10 dBu, from 20 Hz to 22 kHz\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e0.01%.\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:2;--wb-r:17;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eModes\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eFull Range, Dual Band and EQ.\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eNoise floor, from 20 Hz to 22 kHz, A-weighted\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e-90 dBu in Full Range and EQ; -87 dBu in Dual Band.\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:3;--wb-r:18;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eConfiguration\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eStereo Link or Dual Mono.\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eDynamic range, from 20 Hz to 22 kHz\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e112 dB.\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:4;--wb-r:19;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eMastering Edition\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003egain adjustment range of +\/- 5 dB, additional stepped potentiometers and detailed scale markings.\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eInput level\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e+21 dBu.\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:5;--wb-r:20;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eAttack and Sustain controls\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eattenuation or enhancement of the attack and sustain.\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eOutput level\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e+21 dBu.\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:6;--wb-r:21;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eFull Range\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eFreq A adjusts the influence of low frequencies on attack processing.\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eInput impedance\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e10 kilohms.\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:7;--wb-r:22;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eDual Band\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eFreq A defines the start frequency of attack processing; Freq S defines the end frequency of sustain processing.\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eOutput impedance\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e68 ohms.\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:8;--wb-r:23;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eEQ\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ehigh shelving filter controlled by Freq A and Attack; low shelving filter controlled by Freq S and Sustain.\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eMastering Edition in 1U rack format\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003epower consumption of 12 W.\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:9;--wb-r:24;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eAuto Gain\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eautomatic compensation for high peaks caused by attack enhancement, available only in Full Range mode.\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003e1U rack format from the nvelope family, dimensions (width x height x depth), including controls\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e483 x 44.45 x 238 mm, or 19 x 1.75 x 9.4 inches.\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:10;--wb-r:25;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eStereo Link\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eFull Range \/ Full Range, Dual Band \/ Dual Band, EQ \/ EQ.\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eWeight of the 1U rack format\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e1.76 kg, or 3.88 lb.\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:11;--wb-r:26;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eDual Mono with the left channel in Full Range\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eFull Range \/ Full Range, Full Range \/ Dual Band, Full Range \/ EQ.\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003ePower consumption of the standard nvelope in 1U rack format\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e12 W.\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:12;--wb-r:27;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eDual Mono with the left channel in Dual Band\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eDual Band \/ Full Range, Dual Band \/ Dual Band, Dual Band \/ EQ.\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eOther format in the family, elysia qube\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e104 x 137 x 212 mm, or 4.09 x 5.39 x 8.4 inches, including controls.\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:13;--wb-r:28;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eDual Mono with the left channel in EQ\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eEQ \/ Full Range, EQ \/ Dual Band, EQ \/ EQ.\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eWeight of the elysia qube format\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e1.46 kg, or 3.17 lb.\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:14;--wb-r:29;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eFrequency response\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ebelow 10 Hz to 400 kHz, at -3.0 dB.\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003ePower consumption of the elysia qube format\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e9 W.\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:15;--wb-r:30;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eTotal harmonic distortion and noise, at 0 dBu, from 20 Hz to 22 kHz\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e0.006%.\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eCurrent draw of the family module in 500 Series format\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e205 mA.\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Elysia","offers":[{"title":"Default Title","offer_id":67839103631635,"sku":"440195","price":1295.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/57ee2072188db3e63d8fb6ce73066486027f1f44_nvelope_Mastering_Edition_19_inch_left.jpg?v=1794585650"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/collections\/autres-peripheriques-studio-900x600.jpg?v=1789044341","url":"https:\/\/woodbrass.be\/en\/collections\/other-studio-outboard.oembed","provider":"Woodbrass.com","version":"1.0","type":"link"}